{"id":229,"date":"2012-10-01T18:23:23","date_gmt":"2012-10-01T18:23:23","guid":{"rendered":"http:\/\/blogs.uakron.edu\/ovsc\/?page_id=229"},"modified":"2012-10-19T11:45:22","modified_gmt":"2012-10-19T11:45:22","slug":"table-of-contents","status":"publish","type":"page","link":"https:\/\/blogs.uakron.edu\/ovsc\/issues\/volume-i-2007\/table-of-contents\/","title":{"rendered":"Table of Contents"},"content":{"rendered":"<p><span style=\"color: #000000;\">Appropriated Shakespeare: Sensation, Politization, and De(con)struction<\/span><br \/>\n<span style=\"color: #000000;\"> <em>David George<\/em><\/span><\/p>\n<p><span style=\"color: #000000;\">From Legal Document to Monolog<\/span><br \/>\n<span style=\"color: #000000;\"> <em>Robert B. Pierce<\/em><\/span><\/p>\n<p><span style=\"color: #000000;\">Sex and Sensibility: Shakespearean Actresses Rebel on the Page<\/span><br \/>\n<span style=\"color: #000000;\"> <em>Peggy Russo<\/em><\/span><\/p>\n<p><span style=\"color: #000000;\">\u201cA Merry War\u201d: Shakespeare\u2019s Revision of Bandello<\/span><br \/>\n<span style=\"color: #000000;\"> <em>Paul\u00a0\u00a0F. Weinhold<\/em><\/span><\/p>\n<p><span style=\"color: #000000;\">\u201cAn Improbable Fiction\u201d: How Fans Rewrite Shakespeare<\/span><br \/>\n<span style=\"color: #000000;\"> <em>Amelia Bitely<\/em><\/span><\/p>\n<p><span style=\"color: #000000;\">\u201cThis is a Theatre of Assault\u201d: Amiri Baraka\u2019s Dutchman and A Civil Rights Othello<\/span><br \/>\n<span style=\"color: #000000;\"> <em>Jason M. Demeter<\/em><\/span><\/p>\n<p><span style=\"color: #000000;\">Crossing the Boundaries in Kushner and Shakespeare<\/span><br \/>\n<span style=\"color: #000000;\"> <em>Grant Williams<\/em><\/span><\/p>\n<p><span style=\"color: #000000;\">The Comic Devices of Tragedy: Inter\u2010Generic Dialogic Effects in Hardy and Shakespeare<\/span><br \/>\n<span style=\"color: #000000;\"> <em>Patrick Lawrence<\/em><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Appropriated Shakespeare: Sensation, Politization, and De(con)struction David George From Legal Document to Monolog Robert B. Pierce Sex and Sensibility: Shakespearean Actresses Rebel on the Page Peggy Russo \u201cA Merry War\u201d: Shakespeare\u2019s Revision of Bandello Paul\u00a0\u00a0F. Weinhold \u201cAn Improbable Fiction\u201d: How Fans Rewrite Shakespeare Amelia Bitely \u201cThis is a Theatre of Assault\u201d: Amiri Baraka\u2019s Dutchman and [&hellip;]<\/p>\n","protected":false},"author":1384,"featured_media":0,"parent":54,"menu_order":4,"comment_status":"open","ping_status":"open","template":"full-width-page.php","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-229","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.uakron.edu\/ovsc\/wp-json\/wp\/v2\/pages\/229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.uakron.edu\/ovsc\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.uakron.edu\/ovsc\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.uakron.edu\/ovsc\/wp-json\/wp\/v2\/users\/1384"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.uakron.edu\/ovsc\/wp-json\/wp\/v2\/comments?post=229"}],"version-history":[{"count":4,"href":"https:\/\/blogs.uakron.edu\/ovsc\/wp-json\/wp\/v2\/pages\/229\/revisions"}],"predecessor-version":[{"id":537,"href":"https:\/\/blogs.uakron.edu\/ovsc\/wp-json\/wp\/v2\/pages\/229\/revisions\/537"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.uakron.edu\/ovsc\/wp-json\/wp\/v2\/pages\/54"}],"wp:attachment":[{"href":"https:\/\/blogs.uakron.edu\/ovsc\/wp-json\/wp\/v2\/media?parent=229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}