\nThis year, the OVSC is especially interested in papers and panels on the topic of negotiating Shakespeare through history, culture, and context. We welcome a variety of approaches to this topic. Essays might consider, for instance, how we negotiate Shakespeare in the twenty-first century. How do adaptations of Shakespeare\u2019s work negotiate the gulf of over 400 years that stands between early modern texts and us? Which theories of time and\/or history are the most fruitful in negotiating our relationship to the early modern era and its texts? How do we negotiate the use of such \u201cold\u201d texts, like Shakespeare\u2019s, in the contemporary classroom? Alternately, essays could inquire about Shakespeare\u2019s negotiation of his culture, in relation, for instance, to governmental censorship or playhouse politics. Or, papers might examine negotiations within Shakespeare\u2019s plays, including characters\u2019 negotiations of identity as it relates to gender, class, race, sexuality, and\/or religion. Discussions of bad faith negotiations, such as Aaron\u2019s false promise of freedom for Martius and Quintus in exchange for one of the Andronici\u2019s hands, are also encouraged as are those that examine characters\u2019 negotiations of language and social systems found within the plays. <\/p>\n
Proposals for papers of 20 minutes, roundtable topics, or panels of three or four members on Shakespeare\u2019s work and that of his contemporaries are welcome. Please send abstracts of 300-500 words to stephsg@bgsu.edu by August 1, 2015.<\/p>\n
The OVSC publishes a volume of selected papers each year and conferees are welcome to submit revised versions of their papers for consideration. Students who present are eligible to compete for the M. Rick Smith Memorial Prize. More information is available at http:\/\/blogs.uakron.edu\/ovsconf\/.<\/p>\n
This year\u2019s conference is sponsored by Bowling Green State University, Lourdes University, Owens Community College, and the University of Toledo. <\/p>\n
The Ohio Valley Shakespeare Conference seeks papers and panels relating to all things Shakespearean, especially those focusing on the spectral, the fantastic, the mad, and the fey. We take our cue from Theseus: \u201cLovers and madmen have such seething brains, \/ Such shaping fantasies, that apprehend \/ More than cool reason ever comprehends.\u201d The place of the world-beyond-the world, the line between reality and fantasy, and the demarcation of the sane from the mad are ever-present and controversial aspects of Shakespeare\u2019s work and of early modern literature more broadly. As the plays we now call \u2018romances\u2019 or \u2018dark comedies\u2019 suggest, the transformation of the tragic into the comedic relies, to some extent, on the willing suspension of disbelief, on the capacity to accept what is otherwise contrary to our understanding, expectation, or experience. From Samuel Pepys\u2019 condemnation of A Midsummer Night\u2019s Dream, to the oblique resonances between Hamlet and Derrida\u2019s Specters of Marx, the relationship between the \u2018unreal\u2019 and the \u2018real\u2019 is everywhere present and significant in Shakespeare\u2019s works, and centrally a focus of performance history and critical reception from the earliest moments to the present. This conference will especially highlight these aspects of Shakespeare\u2019s oeuvre.<\/p>\n
Join us October 24-25, 2014 in Columbus, Ohio. Papers of 20 minutes, roundtable topics, and suggestions for panels on Shakespeare\u2019s work and that of his contemporaries welcome.<\/p>\n
Please send abstracts of 500 words to nunn@uakron.edu by September 12, 2014.<\/p>\n
The planning committee of the Ohio Valley Shakespeare Conference seeks proposals for papers or panels from across today’s theoretical and methodological landscape that engage Courtliness and Convention in the works of Shakespeare and his contemporaries. How do Shakespearean plays illustrate and critique early modern conceptions of conventional courtly behavior?\u00a0\u00a0More broadly, how do the era’s plays and poems incorporate, problematize, and establish social convention \u2013 political, literary, educational, rhetorical, or otherwise? How do we understand the conventions of courtliness in today’s theaters and classrooms?<\/p>\n
The OVSC invites papers that explore representation of Shakespearean Courtliness and Convention in the early modern context and in contemporary adaptations.<\/p>\n
Possible topics might include:<\/p>\n
Plenary Speakers:<\/p>\n
Please submit 500-word abstracts for papers by September 1, 2013 to nunn@uakron.edu<\/a>. We welcome roundtable discussion proposals as well. The OVSC publishes a volume of selected papers each year and conferees are welcome to submit revised versions of their papers for consideration. Students who present are eligible to compete for the M. Rick Smith Memorial Prize. More information is available at blogs.uakron.edu\/ovsconf<\/a>.<\/p>\n The planning committee of the Ohio Valley Shakespeare Conference seeks proposals for papers or panels from across today’s theoretical and methodological landscape that engage some facet of the amalgam “Extreme(ly) Shakespeare(an).” “Extreme Shakespeare” alludes to the wide variety of extremities that can be found in Shakespeare’s work. It brings to mind those occasions where the playwright demonstrates either a lack of regard for or a lack of control over the principles of proportionality and balance, to the degree either of those principles were prioritized by dramatists of the early modern period. Of course, extremity is an inherently relative value, which leads to a second facet of the amalgam open to conferees. “Extremely Shakespearean” refers to the fundamental characteristics of Shakespeare’s art, craft, thought, philosophy, etc. How might we best operationalize the term “Shakespearean”? What quality or qualities should we identify as the quintessence of Shakespeare’s work? Conversely, where do we observe Shakespeare at his least Shakespearean? Have we in the past, do we now, and\/or might we ever share a persuasive understanding of what constitutes the most significant attributes of Shakespeare? Is the pursuit a noble quest, or a fool’s errand?<\/span><\/p>\n The OVSC publishes a volume of selected papers each year and conferees are welcome to submit revised versions of their papers for consideration. Students who present are eligible to compete for the M. Rick Smith Memorial Prize.<\/span><\/p>\n \u00a0<\/span><\/p>\n Ralph Alan Cohen<\/strong><\/span> Lina Perkins Wilder<\/strong><\/span> Featured conference events will include a site-specific production of Hamlet staged by the Marietta College Theatre Department as well as an Esbenshade Series concert with a Shakespearean theme. Other conference events will include a night owl screening of a recent film adaptation, an evening reception at a local establishment, our annual luncheon, coffee, tea & snack breaks that will have you stuffing your pockets “for later,” and all the October foliage your eyes can possibly take in.<\/span><\/p>\n Abstracts and panel proposals are due by August 31st. All submissions and inquiries should be directed to Joseph Sullivan at\u00a0joe.sullivan@marietta.edu<\/span><\/a>\u00a0or by mail to<\/span><\/p>\nExtreme(ly) Shakespeare(an)<\/span><\/h1>\n
The 36th Annual Ohio Valley Shakespeare Conference 2012<\/span><\/h3>\n
Marietta College<\/span><\/h4>\n
October 18-20, 2012<\/span><\/h4>\n
Plenary Speakers:<\/span><\/h4>\n
\n The American Shakespeare Center and Mary Baldwin College<\/span><\/p>\n
\n Connecticut College<\/span><\/p>\n