“Shakespeare on Screen”<\/strong><\/span><\/p>\n Papers selected for the third volume focus on a range of issues in film and television productions of Shakespeare from the Silents to the Age of Branagh and Baz.<\/span><\/p>\n html<\/span><\/a> \u00a0pdf<\/a>\u00a0\u00a0\u00a0 Editorial Board<\/span><\/p>\n html<\/span><\/a> \u00a0pdf<\/a>\u00a0\u00a0\u00a0 From the Editor<\/span><\/p>\n html<\/span><\/a> \u00a0pdf<\/a>\u00a0\u00a0\u00a0 Committees and Board<\/span><\/p>\n html<\/span><\/a> \u00a0pdf<\/a>\u00a0\u00a0\u00a0 Table of Contents<\/span><\/p>\n html<\/span><\/a> \u00a0pdf<\/a>\u00a0\u00a0\u00a0 List of Contributors<\/span><\/p>\n html<\/span><\/a> \u00a0pdf<\/a>\u00a0\u00a0\u00a0 A Note to Contributors<\/span><\/p>\n html<\/span><\/a> \u00a0pdf<\/a>\u00a0\u00a0\u00a0 The State(s) They\u2018re In: Intersections of the Henriad, Hustler Narratives, and\u00a0Alternative Music in Gus Van Sant\u2018s My Own Private Idaho<\/em><\/span> html<\/span><\/a> \u00a0pdf<\/a>\u00a0\u00a0\u00a0 Frustrated Feminisms: Hippolyta on Screen<\/span> html<\/span><\/a> \u00a0pdf<\/a>\u00a0\u00a0\u00a0 Hamlet on Film: A Post-9\/11 Take<\/span> html<\/span><\/a> \u00a0pdf<\/a>\u00a0\u00a0\u00a0 Olivier\u2019s Hamlet: A Creature Swimming<\/span> html<\/span><\/a> \u00a0pdf<\/a>\u00a0\u00a0\u00a0 \u201cWe know what we are, but we know not what we may be:\u201d Marianne Faithfull, Ophelia and the Power of Performance<\/span> page under construction To view documents from this volume, please visit: http:\/\/www.marietta.edu\/departments\/English\/OVSC\/Select_Papers\/2009\/index.html “Shakespeare on Screen” Papers selected for the third volume focus on a range of issues in film and television productions of Shakespeare from the Silents to the Age of Branagh and Baz. html \u00a0pdf\u00a0\u00a0\u00a0 Editorial Board html \u00a0pdf\u00a0\u00a0\u00a0 From the Editor html \u00a0pdf\u00a0\u00a0\u00a0 […]<\/p>\n","protected":false},"author":1384,"featured_media":0,"parent":27,"menu_order":2,"comment_status":"open","ping_status":"open","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-68","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.uakron.edu\/ovsc\/wp-json\/wp\/v2\/pages\/68","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.uakron.edu\/ovsc\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.uakron.edu\/ovsc\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.uakron.edu\/ovsc\/wp-json\/wp\/v2\/users\/1384"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.uakron.edu\/ovsc\/wp-json\/wp\/v2\/comments?post=68"}],"version-history":[{"count":15,"href":"https:\/\/blogs.uakron.edu\/ovsc\/wp-json\/wp\/v2\/pages\/68\/revisions"}],"predecessor-version":[{"id":108,"href":"https:\/\/blogs.uakron.edu\/ovsc\/wp-json\/wp\/v2\/pages\/68\/revisions\/108"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.uakron.edu\/ovsc\/wp-json\/wp\/v2\/pages\/27"}],"wp:attachment":[{"href":"https:\/\/blogs.uakron.edu\/ovsc\/wp-json\/wp\/v2\/media?parent=68"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"http:\/\/blogs.uakron.edu\/ovsc\/files\/2012\/09\/2009-Volume-III-Cover-Image-227x300.jpg\")
<\/span><\/a><\/span><\/p>\n
\n James Newlin,\u00a0University of Florida<\/em><\/span><\/p>\n
\n Nicholas Tobin Roth,\u00a0Cornell University<\/span><\/p>\n
\n James A. Lewin,\u00a0Shepherd University<\/em><\/span><\/p>\n
\n Rachel Zlatkin,\u00a0University of Cincinnati<\/em><\/span><\/p>\n
\n Gabriel Rieger<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"