{"id":305,"date":"2013-03-07T19:20:50","date_gmt":"2013-03-07T19:20:50","guid":{"rendered":"http:\/\/blogs.uakron.edu\/ovsconf\/?page_id=305"},"modified":"2013-03-15T13:16:09","modified_gmt":"2013-03-15T13:16:09","slug":"2009-program","status":"publish","type":"page","link":"https:\/\/blogs.uakron.edu\/ovsconf\/conferences\/2009-shakespeare-on-screen-1899-2009\/2009-program\/","title":{"rendered":"2009 – Program"},"content":{"rendered":"

Thursday October 22<\/span><\/h1>\n

11:00 am\u20101:00 pm<\/span><\/h3>\n

Registration – Ohio University Inn – Galbreath Room<\/span><\/h4>\n
    \n
  • All sessions, with the exception of Peter Holland\u2019s opening keynote address, will be held at the\u00a0Ohio University Inn in the Galbreath and Foundation rooms. Professor Holland\u2019s talk will be held in\u00a0Walter Hall (room 145) on the Ohio University campus. Walters Hall is just a 10 minute walk from the\u00a0Inn and is located on Richland Avenue across the street from the Convocation Center. Walters Hall also\u00a0brings you closer to the many restaurants located in downtown Athens where you are likely to venture\u00a0for dinner after the reception.<\/span><\/li>\n<\/ul>\n

    1:00\u20102:45 <\/span><\/h3>\n

    \u201cThe Taming of the Shrew, Baz, and Bollywood\u201d –\u00a0Galbreath Room –\u00a0Chair: Martina Holliday, Youngstown State University<\/span><\/h4>\n
      \n
    • Sharon Cline, Youngstown State University, \u201cThe Evolution of Feminism in Adaptations of The Taming\u00a0of the Shrew\u201d<\/span><\/li>\n
    • Cathrine Bonham, Owens College, \u201cFilm Adaptations of The Taming of the Shrew\u201d<\/span><\/li>\n
    • Julia Wise, University of Akron, \u201cEast or West: Liminal Levels in Kuch Kuch Hota Hai\u201d<\/span><\/li>\n<\/ul>\n

      3:00\u20104:30<\/span><\/h3>\n

      \u201cMacbeth , Coriolanus, and Titus on Film\u201d –\u00a0Galbreath Room –\u00a0Chair: Russ Bodi, Owens College<\/span><\/h4>\n
        \n
      • Byron Bailey, University of Cincinnati, \u201cGeoffrey Wright\u2019s (Lady) Macbeth and the Crux of\u00a0Motherhood\u201d<\/span><\/li>\n
      • David George, Urbana University, \u201cLost and Found: Obscure Shakespeare Films as Guides to Cultural\u00a0Moments\u201d<\/span><\/li>\n
      • Michael Drew, Ohio University, \u201cThe Cycle of Violence in Julie Taymor\u2019s Titus\u201d<\/span><\/li>\n<\/ul>\n

        \u201cFilm Adaptations of Othello \u201d –\u00a0Foundation Room –\u00a0Chair: Melissa Parlin<\/span><\/h4>\n
          \n
        • Melodie Provencher, Youngstown State University, \u201cSacred Texts, Entitlement and the Meaning of\u00a0\u2018Indigenous\u2019 in Shakespeare Wallah\u201d<\/span><\/li>\n
        • Varsha Balachandran, University of Akron, \u201cOthello to Omkara: A Sketch of Indian Adaptations of\u00a0Shakespeare\u201d<\/span><\/li>\n
        • Jenny Wiley, Owens College, \u201cA Look at Film Adaptations of Shakespeare\u2019s Othello\u201d<\/span><\/li>\n<\/ul>\n

          5:00\u20106:15<\/span><\/h3>\n

          Keynote Address #1: \u201cShakespeare in Cyberspace\u201d –\u00a0Walters Hall, Room 145<\/span><\/h4>\n
            \n
          • Peter Holland,\u00a0University of Notre Dame<\/span><\/li>\n<\/ul>\n

            6:15\u20107:00<\/span><\/h3>\n

            Wine and Cheese reception – Walters Hall Lobby<\/span><\/h4>\n

            7:00 <\/span><\/h3>\n

            Dinner (on your own)<\/span><\/h4>\n

            Friday October 23rd<\/span><\/h1>\n

            9:00\u201010:30<\/span><\/h3>\n

            \u201cHamlet on Film\u201d –\u00a0Galbreath Room –\u00a0Chair: Hillary Nunn , University of Akron<\/span><\/h4>\n
              \n
            • Byron Nelson, West Virginia University, \u201cLarry\u2019s Himself Again: Olivier\u2019s Shakespeare\u201d<\/span><\/li>\n
            • Rachel Zlatkin, University of Cincinnati, \u201cOlivier and Hamlet\u201d<\/span><\/li>\n
            • Gabriel Rieger, Concord University, \u201cOphelia and the Power of Performance\u201d<\/span><\/li>\n<\/ul>\n

              \u201cHenry V, Scotland, PA, and the Grinch\u201d –\u00a0Foundation Room –\u00a0Chair: Michael Drew, Ohio University<\/span><\/h4>\n
                \n
              • Matthew Stallard, Ohio University,\u201d Henry V and the Rhetoric of the Just War Tradition\u201d<\/span><\/li>\n
              • Rhonda Sanford, Fairmont State University, \u201cDiners, Drive\u2010Ins, and Fine Dining: The Macbeths as\u00a0Entrepreneurs and Restauranteurs in Scotland, PA and the BBC\u2019s Shakespeare Retold\u201d<\/span><\/li>\n
              • Russ Bodi, Owens College, \u201cHow the Grinch Became a Screen Jew\u201d<\/span><\/li>\n<\/ul>\n

                10:30\u201011:00 <\/span><\/h3>\n

                Coffee Break<\/span><\/h4>\n

                11:00\u201012:30 <\/span><\/h3>\n

                \u201cLove\u2019s Labour\u2019s Lost, Sumo Wrestling and the BBC\u201d –\u00a0Galbreath Room –\u00a0Chair: Ed Taft, Marshall University<\/span><\/h4>\n
                  \n
                • Jill Ingram, Ohio University, \u201cMaking the Topical Modern: Humor in Film and Stage Productions of\u00a0Love\u2019s Labour\u2019s Lost\u201d<\/span><\/li>\n
                • Joe Sullivan, Marietta College, \u201cSumo, he didn\u2019t! The Wrestling Scene in Branagh\u2019s As You Like It\u201d<\/span><\/li>\n
                • L. Monique Pittman, Andrews University, \u201cThe Bard and the Beeb: Television Authority in Shakespeare\u00a0Retold\u201d<\/span><\/li>\n<\/ul>\n

                  \u201cHamlet, Greenblatt, and The Colbert Report\u201d –\u00a0Foundation Room –\u00a0Chair: William Godshalk, University of Cincinnati<\/span><\/h4>\n
                    \n
                  • Tim Francisco, Youngstown State University,\u201dTwo Truthinesses are Told: Mediatized Shakespeare in\u00a0Popular Political Culture\u201d<\/span><\/li>\n
                  • Lorien Anderson, Concord University, \u201cPsychoanalysis and Point of View in Zeffirelli\u2019s Hamlet\u201d<\/span><\/li>\n
                  • James Lewin, Shepherd University, \u201cHamlet , 9\/11 and Cultural Authority\u201d<\/span><\/li>\n<\/ul>\n

                    12:30\u20102:00 <\/span><\/h3>\n

                    Lunch (on your own)<\/span><\/h4>\n

                    2:00\u20103:30 <\/span><\/h3>\n

                    \u201cThe History Plays on Film and Television\u201d-\u00a0Galbreath Room –\u00a0Chair: Richard Dutton, Ohio State University<\/span><\/h4>\n
                      \n
                    • James Lake, LSU\u2010Shreveport, \u201cScenic Sequencing and Directorial Intervention in Deborah Warner\u2019s\u00a0Television Production of Richard II\u201d<\/span><\/li>\n
                    • James Forse, Bowling Green State University, \u201cPortrayals of King Richard III on Film\u201d<\/span><\/li>\n
                    • William Kerwin, University of Missouri, \u201cKeening on Camera: Poetic Loss and Visual Form in Richard III\u201d<\/span><\/li>\n<\/ul>\n

                      \u201cYiddish Shakespeare, Silent Shakespeare and Chicken Rice War\u201d –\u00a0Foundation Room –\u00a0Chair: Matthew Stallard, Ohio University<\/span><\/h4>\n
                        \n
                      • Lisa S. Starks\u2010Estes, University of South Florida, \u201cShakespeare in the Yiddish Cinema\u201d<\/span><\/li>\n
                      • Sandra Logan, Michigan State University, \u201cPlay Text, Print Text, Silent Film: \u2018Intermediality\u2019 and the\u00a0Contexts of Re\u2010Presentation\u201d<\/span><\/li>\n
                      • Michael Heidenberg, Fordham University, \u201cCommodity Culture and \u2018Selling\u2019 Shakespeare in Chicken Rice\u00a0War\u201d<\/span><\/li>\n<\/ul>\n

                        3:30\u20103:45 <\/span><\/h3>\n

                        Break<\/span><\/h4>\n

                        3:45\u20105:15<\/span><\/h3>\n

                        \u201cShakespeare in and on the Margins\u201d –\u00a0Galbreath Room –\u00a0Chair: Carolina Conte: Jacksonville University<\/span><\/h4>\n