{"id":321,"date":"2013-03-07T19:21:17","date_gmt":"2013-03-07T19:21:17","guid":{"rendered":"http:\/\/blogs.uakron.edu\/ovsconf\/?page_id=321"},"modified":"2013-03-15T15:07:36","modified_gmt":"2013-03-15T15:07:36","slug":"2010-program","status":"publish","type":"page","link":"https:\/\/blogs.uakron.edu\/ovsconf\/conferences\/2010-shakespeares-loose-ends\/2010-program\/","title":{"rendered":"2010 – Program"},"content":{"rendered":"

Thursday, October 14th<\/span><\/h1>\n

1:00<\/span><\/h3>\n

Registration, continuous<\/span><\/h4>\n

2:00\u20103:15<\/span><\/h3>\n

1. Sexual Indeterminacies: Room 133: Chair, Laurie Fathe<\/span><\/h4>\n
    \n
  • Victor Kulinski, University of Windsor \u201cHermaphroditism vs Androgyny: The Function of\u00a0Cross\u2010dressing in Shakespeare\u2019s As You Like It\u201d<\/span><\/li>\n
  • Maria Bastien, University of Windsor, \u201cMixing Metaphors: Horses, Riders and\u00a0Hermaphrodites in The Taming of the Shrew\u201d<\/span><\/li>\n
  • Katherine Donovan, University of Windsor, \u201cTwelfth Night: A Close Reading of the Plato\u2010Ovidian Characters\u201d<\/span><\/li>\n<\/ul>\n

    2. Inwardness and Character: Room 135: Chair, Russ Bodi<\/span><\/h4>\n
      \n
    • Charles Conaway, University of Southern Indiana, \u201cOthello\u2019s Other Visage\u201d<\/span><\/li>\n
    • Donald Cleary, University of the West Indies, Mona, \u201cThe Fair Black Woman: The Politics\u00a0of Beauty in Shakespeare\u2019s Sonnets\u201d<\/span><\/li>\n
    • Andrew Hartke, Owens College, \u201cEmelia: Iago\u2019s Marionette or Fellow Puppeteer\u201d<\/span><\/li>\n<\/ul>\n

      3:30\u20104:45<\/span><\/h3>\n

      3. Staging and Editing: Room 133: Chair, Gabriel Rieger<\/span><\/h4>\n
        \n
      • Matthew Vadnais, The Ohio State University, \u201cShakespeare\u2019s Stage Directions\u201d<\/span><\/li>\n
      • Hsiang\u2010chun Chu, National Changhua University of Education, \u201cFrom Man to Wolf: On\u00a0Lycanthropic Ferdinand and Illicit Desire\u201d<\/span><\/li>\n
      • Byron Bailey, University of Cincinnati, \u201c\u2019Hold thy stumps to heaven\u2019: Should Lavinia Carry\u00a0Titus\u2019 Hand in Her Arms\u201d<\/span><\/li>\n<\/ul>\n

        4. Interiority and Landscape: Room 135: Chair, Shelby Pierce<\/span><\/h4>\n
          \n
        • Amy Horvat, Marietta College, \u201cPlaywright as Gardener: Planting Metaphors in The\u00a0Winter\u2019s Tale\u201d<\/span><\/li>\n
        • Rachel Zlatkin, University of Cincinnati, \u201cThe Bear by Sea, by Land, by Sky\u201d<\/span><\/li>\n
        • Robert Pierce, Oberlin College, \u201cThe Gaps in Shakespeare\u2019s Marlovian Imitation\u201d<\/span><\/li>\n<\/ul>\n

          5:00\u20107:00 <\/span><\/h3>\n

          Dinner on your own<\/span><\/h4>\n
            \n
          • Tony Packo\u2019s anyone?<\/span><\/li>\n<\/ul>\n

            7:00 <\/span><\/h3>\n

            A Merry Regiment of Women, Toledo Repertory Players,\u00a0Performing Arts Center Room 111\u00a0<\/span><\/h4>\n
              \n
            • Reception following<\/span><\/li>\n<\/ul>\n

              Friday, October 15th<\/span><\/h1>\n

              8:00 a.m. <\/span><\/h3>\n

              Registration, continuous<\/span><\/h4>\n

              8:30\u20109:45<\/span><\/h3>\n

              5. \u201cHe Never Blotted Out a Line!\u201d : Room 133: Chair, Eva McManus<\/span><\/h4>\n
                \n
              • Mira Assaf, The Ohio State University, \u201cCaroline Shakespeare: A Reassessment of the\u00a0Second Quarto of Othello (1630)<\/span><\/li>\n
              • Andrea Crow, The Ohio State University, \u201cReassessing Q1 Romeo and Juliet\u2019s Stage\u00a0Directions\u201d<\/span><\/li>\n
              • Colleen Kennedy, The Ohio State University, \u201cA\/The Taming of the Shrew: Shakespeare\u2019s\u00a0Source and Revision\u201d<\/span><\/li>\n<\/ul>\n

                6. \u201cA Scholarly Conversation Concerning the Composition of the Shakespearean Corpus:<\/span><\/h4>\n

                Twentieth Century Theatrical Practice Versus Conventional Literary Assumptions\u201d :\u00a0<\/span>Room 135: Chair, Robert Pierce<\/span><\/span><\/p>\n

                  \n
                • Norbert Wethington, Oberlin College<\/span><\/li>\n
                • Mark Wethington, University of Nebraska\/Kearney<\/span><\/li>\n
                • Kristin Distel, Ashland University<\/span><\/li>\n<\/ul>\n

                  10:00\u201011:15 a.m.<\/span><\/h3>\n

                  7. Omissions and Potentialities: Room 133: Chair, David George<\/span><\/h4>\n
                    \n
                  • William L. Godshalk, University of Cincinnati, \u201cTroilus and Cressida: No Sense of an\u00a0Ending\u201d<\/span><\/li>\n
                  • Peter Byrne, Kent State University, Trumbull Campus \u201c\u2019I am dumb\u2019 Comic Murders\u201d<\/span><\/li>\n
                  • Jim Lewin, Shepherd University, \u201cWho Needs Shylock\u201d<\/span><\/li>\n<\/ul>\n

                    8. Gaps and Indeterminacies: Room 135: Chair, Joe Sullivan<\/span><\/h4>\n
                      \n
                    • Robert Dugan, Keystone College in La Plume, Pennsylvania \u201cThe Distances Between\u00a0Fathers and Daughters In Shakespeare\u2019s Comedies, Tragedies, and Romances\u201d<\/span><\/li>\n
                    • David George, Urbana University, \u201cPolitical Backgrounds\u201d<\/span><\/li>\n
                    • Sandra Logan, Michigan State University, \u201cTen Plays in Search of Coherence\u201d<\/span><\/li>\n<\/ul>\n

                      11:15\u201012:15<\/span><\/h3>\n

                      Plenary Session: ( Main\u2010stage Theater) <\/span><\/h4>\n
                        \n
                      • Matthew Wikander,\u00a0\u201c\u2019This is not the man\u2019: Falstaff and Martrydom\u201d<\/span><\/li>\n<\/ul>\n

                        12:15\u20102:00 <\/span><\/h3>\n

                        Lunch, on your own<\/span><\/h4>\n

                        1:00\u20102:00<\/span><\/h3>\n

                        Special acting workshop for scenes from Twelfth Night. Room 137 (Acting Studio):\u00a0Chair, Jeremy Meyer<\/span><\/h4>\n

                        2:00\u20103:15 p.m.<\/span><\/h3>\n

                        9. Identity: Room 133: Chair, Tim Francisco<\/span><\/h4>\n
                          \n
                        • Steven Culbertson, Owens College, \u201cOur British Cousin: Shakespeare in the American\u00a0Stage and Imagination, 1860\u20101865″<\/span><\/li>\n
                        • Joy Ellen Parker, Owens College, \u201cMatthew Weiner\u2019s Mad Men, Shakespeare\u2019s Mad Men\u00a0and the Undecidability of Identity\u201d<\/span><\/li>\n
                        • Emily Sloan\u2010Pace, University of California at Santa Cruz \u201cBanishing Plump Jack: A\u00a0Reconsideration of Falstaff and Mistress Quickly\u201d<\/span><\/li>\n<\/ul>\n

                          10. Loose Ends and Film Adaptations: Room 135: Chair, Hillary Nunn<\/span><\/h4>\n
                            \n
                          • Emily Detmer\u2010Goebel, Northern Kentucky University, \u201cLavinia as Loose End\u201d<\/span><\/li>\n
                          • Stephannie S. Gearhart, Bowling Green State University, \u201c\u2019For Every Generation There is\u00a0a Gap\u2019: Youth\u2010Elder Conflict in Baz Luhrmann\u2019s Romeo + Juliet and Michael Almereyda\u2019s\u00a0Hamlet\u201d<\/span><\/li>\n
                          • Curtis Breight, University of Pittsburgh, \u201cWhatever Happened to Lady Anne?: Some\u00a0Cinematic Renditions of the Queen\u2019s Disappearance\u201d<\/span><\/li>\n<\/ul>\n

                            11. Key Roles: Room 138: Chair, Sandra Logan<\/span><\/h4>\n
                              \n
                            • Michael Mackey, University of Akron, \u201c\u2019I do but keep the peace\u2019: Benvolio\u2019s Dramatic\u00a0Revealed\u201d<\/span><\/li>\n
                            • Geoffrey A. Johns, Michigan State University, \u201c\u2019The smallest monstrous mouse\u2019: A\u00a0Midsummer Night\u2019s Dream and the Renaissance Theatrical Debate\u201d<\/span><\/li>\n
                            • Amrita Sen, Michigan State University, \u201cGaps, Indian Boy, and Changelings: Staging India\u00a0in A Midsummer Night\u2019s Dream\u201d<\/span><\/li>\n<\/ul>\n

                              3:30\u20104:45<\/span><\/h3>\n

                              12. History and the Histories: Room 133: Chair, Steven Culbertson<\/span><\/h4>\n
                                \n
                              • Jennifer Whalen, Northern Kentucky University, \u201cRepressed Conscience and Unsought<\/span><\/li>\n
                              • Redemption: Uncovering the Tragic Protagonist in Richard III<\/span><\/li>\n
                              • Wai Fong Cheang, Chang Gung University, Taiwan \u201cBetween Lion and Pupil: Gaps in\u00a0Shakespeare\u2019s Richard II\u201d<\/span><\/li>\n
                              • Kirstin Bone, Southern Utah University, \u201cThe Forgotten Fool: Geoffrey Chaucer\u201d<\/span><\/li>\n<\/ul>\n

                                13. Music and other Ornaments: Room 135: Chair, Susan Oldrieve<\/span><\/h4>\n