{"id":334,"date":"2013-03-07T19:21:48","date_gmt":"2013-03-07T19:21:48","guid":{"rendered":"http:\/\/blogs.uakron.edu\/ovsconf\/?page_id=334"},"modified":"2013-03-22T13:44:22","modified_gmt":"2013-03-22T13:44:22","slug":"2011-program","status":"publish","type":"page","link":"https:\/\/blogs.uakron.edu\/ovsconf\/conferences\/2011-shakespeare-and-ethics\/2011-program\/","title":{"rendered":"2011 &#8211; Program"},"content":{"rendered":"<h1><span style=\"color: #000000\">Thursday, November 3<\/span><\/h1>\n<h3><span style=\"color: #000000\">2:45 &#8211; 4:00<\/span><\/h3>\n<h4><span style=\"color: #000000\">Dilemmas of Despotism &#8211; Snyder Hall C203 &#8211; Chair, Robert Pierce<\/span><\/h4>\n<ul>\n<li><span style=\"color: #000000\">Byron Bailey, &#8220;Blood and Sword and Fire: Machiavelli, Erasmus, and <em>Henry V<\/em>&#8216;s Ethical Battleground&#8221;<\/span><\/li>\n<\/ul>\n<h3><span style=\"color: #000000\">4:15 &#8211; 5:30<\/span><\/h3>\n<h4><span style=\"color: #000000\">Evolving Choices, Devolving Destinies &#8211; Snyder Hall C203 &#8211; Chair, Sandra Logan<\/span><\/h4>\n<ul>\n<li><span style=\"color: #000000\">Derek Alwes, &#8220;Whose tragedy is this anyway? The Comic Structure of\u00a0<em>Hamlet<\/em>&#8220;<\/span><\/li>\n<li><span style=\"color: #000000\">Joe Keener, &#8220;&#8216;Shall I be tempted to infringe my vow?&#8217;: Oaths, Morality, and the Biocultural&#8221;<\/span><\/li>\n<li><span style=\"color: #000000\">Robert Pierce, &#8220;<em>Hamlet\u00a0<\/em>and the Problem of Moral Agency&#8221;<\/span><\/li>\n<\/ul>\n<h3><span style=\"color: #000000\">5:30 &#8211; 6:45<\/span><\/h3>\n<h4><span style=\"color: #000000\">Dinner on your own<\/span><\/h4>\n<h3><span style=\"color: #000000\">7:00<\/span><\/h3>\n<h4><span style=\"color: #000000\">Conference Welcome &#8211; Fairchild Auditorium: Studio 49<\/span><\/h4>\n<p><span style=\"color: #000000\">The American Collective Adaptation of\u00a0<em>Othello<\/em><\/span><\/p>\n<p><span style=\"color: #000000\">Reception Immediately Following<\/span><\/p>\n<h1><span style=\"color: #000000\">Friday, November 4<\/span><\/h1>\n<h3><span style=\"color: #000000\">9:00 &#8211; 10:15<\/span><\/h3>\n<h4><span style=\"color: #000000\">Method and Madness &#8211; Snyder Hall C201 &#8211; Chair, Russell Bodi<\/span><\/h4>\n<ul>\n<li><span style=\"color: #444444\">Alicia Andrezejewski, &#8220;&#8216;I&#8217;ll lead&#8217;: Restoring the Jailer&#8217;s Daughter&#8217;s Agency in\u00a0<\/span><em>The Two Noble Kinsmen<\/em><span style=\"color: #444444\">&#8220;<\/span><\/li>\n<li>James Lewin, &#8220;<em>Hamlet<\/em>&#8216;s Hard-Boiled Ethics&#8221;<\/li>\n<li>Jennifer Royston, &#8220;Timon&#8217;s Portrait: The Counterfeit Flattery and the Failure to Adapt&#8221;<\/li>\n<\/ul>\n<h4><span style=\"color: #000000\">Subjection and Objection &#8211; Snyder Hall C203 &#8211; Chair, Stephen Deng<\/span><\/h4>\n<ul>\n<li>Amrita Dhar, &#8220;The Ethics of Service in\u00a0<em>King Lear<\/em>&#8220;<\/li>\n<li>Neal Klomp, &#8220;Beasts of Burden and Friends or, When Hegemony and Counter-Hegemony meet: the Ethics of Service Relationships in\u00a0<em>Julius Caesar<\/em>&#8220;<\/li>\n<li>David Morrow, &#8220;The ethics of the Commonwealth in\u00a0<em>Henry VIII&#8221;<\/em><\/li>\n<\/ul>\n<h3><span style=\"color: #000000\">10:30 &#8211; 11:45<\/span><\/h3>\n<h4><span style=\"color: #000000\">Wielding the Scepter &#8211; Snyder Hall C203 &#8211; Chair, Jyotsna Singh<\/span><\/h4>\n<ul>\n<li>Abdulhamit Arvas, &#8220;God&#8217;s Phallus vs. Devil&#8217;s Phallus: The State, The Sovereign and the Witch in the Works of Bodin, King James I, and Shakespeare&#8221;<\/li>\n<li>David George, &#8220;Shakespeare&#8217;s Ethics: Personal and Literary&#8221;<\/li>\n<li>Robert Stefanik, &#8220;The Ethics of Surveillance:\u00a0<em>The Phoenix<\/em> and\u00a0<em>Measure for Measure<\/em> at the Court of James I&#8221;<\/li>\n<\/ul>\n<h4><span style=\"color: #000000\">Passing Time, Passing Space &#8211; Snyder Hall C204 &#8211; Chair, Jennifer Toms<\/span><\/h4>\n<ul>\n<li>Allison Grant, &#8220;The Dangers of Playing House &#8211; Celia&#8217;s Subversive Role in\u00a0<em>As You Like It<\/em>&#8220;<\/li>\n<li>Niels Herold, &#8220;&#8216;Merry or sad shall&#8217;t be?&#8217;: Redeeming Time in Prison Shakespeare&#8221;<\/li>\n<li>Robert Jones, &#8220;&#8216;Could I find out the woman&#8217;s part in me?&#8217;: The Actor&#8217;s Attitude towards Playing Women on the early Modern Stage&#8221;<\/li>\n<\/ul>\n<h3><span style=\"color: #000000\">11:45 &#8211; 1:45<\/span><\/h3>\n<h4><span style=\"color: #000000\">Lunch on your Own<\/span><\/h4>\n<h3><span style=\"color: #000000\">2:00 &#8211; 3:30<\/span><\/h3>\n<h4><span style=\"color: #000000\">Keynote &#8211; Snyder Hall C204<\/span><\/h4>\n<ul>\n<li>Bradin Cormack, &#8220;Ethics as Practice in Shakespeare&#8221;<\/li>\n<\/ul>\n<h3><span style=\"color: #000000\">3:30 &#8211; 4:45<\/span><\/h3>\n<h4><span style=\"color: #000000\">Inchoate Character &#8211; Snyder Hall C201 &#8211; Chair, David George<\/span><\/h4>\n<ul>\n<li>Jonathan Holmes, &#8220;&#8216;Like Patience gazing on kings&#8217; graves&#8217;: Dramatizing Patience as Endurance in <em>Pericles<\/em>&#8220;<\/li>\n<li>Gabriel Reiger, &#8220;&#8216;Is man no more than this?&#8217;:\u00a0King Lear and the Ethics of Identity&#8221;<\/li>\n<li>Rachel Zlatkin, &#8220;Remembering Gertrude&#8221;<\/li>\n<\/ul>\n<h4><span style=\"color: #000000\">Marriage Imperatives &#8211; Snyder Hall c203 &#8211; Chair, Megan Inbody<\/span><\/h4>\n<ul>\n<li>Kathleen Davies, &#8220;&#8216;In that Marriage, Strife Will Die Forever&#8217;: Contract, Colonialism, and Dynasty in\u00a0<em>The Tempest<\/em> and <em>The Forest Princess<\/em>&#8220;<\/li>\n<li>Sandra Logan, &#8220;Queens of another country: Alien English Queens in <em>Woodstock<\/em> and <em>Henry VI<\/em>&#8220;<\/li>\n<li>Louis Martin, &#8220;<em>Much Ado About Nothing<\/em>: Desire, Double Standards, and Survival of the Fit&#8221;<\/li>\n<\/ul>\n<h4><span style=\"color: #000000\">Contingency and Conditionality &#8211; Snyder Hall C204 &#8211; Chair, William Kerwin<\/span><\/h4>\n<ul>\n<li>Craig Dionne, &#8220;Lear&#8217;s Dark Ecology: Theorizing the &#8220;Screen&#8221; of Tragic Nostalgia and its Blank Voice&#8221;<\/li>\n<li>David Summers, &#8220;&#8216;Much Virtue in If&#8217;: Peacemaking and Conditionality in\u00a0<em>As You Like It<\/em>&#8220;<\/li>\n<li>Jeffrey Yeager, &#8220;&#8216;How this World is Given to Lying!&#8217;: Orson Wells&#8217; Deconstruction of Historiography in <em>Chimes at Midnight<\/em>&#8220;<\/li>\n<\/ul>\n<h3><span style=\"color: #000000\">4:45 &#8211; 6:45<\/span><\/h3>\n<h4><span style=\"color: #000000\">Dinner on your own<\/span><\/h4>\n<h3><span style=\"color: #000000\">7:00<\/span><\/h3>\n<h4><span style=\"color: #000000\">Performance &#8211; Snyder Hall C20<\/span><\/h4>\n<ul>\n<li>Pigeon Creek Shakespeare &#8211;\u00a0<em>Henry IV<\/em><\/li>\n<\/ul>\n<h1><span style=\"color: #000000\">Saturday, November 5<\/span><\/h1>\n<h3><span style=\"color: #000000\">9:00 &#8211; 10:15<\/span><\/h3>\n<h4><span style=\"color: #000000\">Veracity, Sincerity and Wit &#8211; Snyder Hall C201 &#8211; Chair, Geoffrey Johns<\/span><\/h4>\n<ul>\n<li>Drew Haverin, &#8220;The Widow&#8217;s Test: Greene&#8217;s\u00a0To Quoque and the Affirmation of Civic Virtues in Jacobean City Comedies&#8221;<\/li>\n<li>William Kerwin, &#8220;&#8216;The foole to laugh, the wiser sort to learne&#8217;: Humor and Ethics in the Epigrams of John Harrington&#8221;<\/li>\n<li>Kristin Rutter, &#8220;Why So Serious?: The Reinvention of the Shakespearean Ethical Fool in Albion Tourgee&#8217;s\u00a0<em>A Fool&#8217;s Errand<\/em> and Mark Twain&#8217;s\u00a0<em>Pudd&#8217;nhead Wilson<\/em>&#8220;<\/li>\n<\/ul>\n<h4><span style=\"color: #000000\">Unsocial Networks &#8211; Snyder Hall C202 &#8211; Chair, Craig Dionne<\/span><\/h4>\n<ul>\n<li><span style=\"color: #444444\">Jennifer Holl, &#8220;&#8216;The tongues that durst disperse it&#8217;: Gossip and Intrigue in\u00a0Henry VIII&#8221;<\/span><\/li>\n<li><span style=\"color: #444444\">Kyle Janke, &#8220;The Condition of Banishment: Community and Nature in\u00a0<\/span><em>As You Like It<\/em><span style=\"color: #444444\">,\u00a0<\/span><em>Titus Andronicus<\/em><span style=\"color: #444444\"> and\u00a0<\/span><em>Coriolanus<\/em><span style=\"color: #444444\">&#8220;<\/span><\/li>\n<li><span style=\"color: #444444\">Andrew Kranzman, &#8220;&#8216;It is a holiday to look on them!&#8217;: Sentimentality and Actuality of Friendship in\u00a0<\/span><em>The Two Noble Kinsmen<\/em><span style=\"color: #444444\">&#8220;<\/span><\/li>\n<\/ul>\n<h4><span style=\"color: #000000\">Interpretation and Expectation &#8211; Snyder Hall C203 &#8211; Chair, Gabriel Rieger<\/span><\/h4>\n<ul>\n<li>Joanna Grossman, &#8220;The Literal in\u00a0<em>The Merchant of Venice<\/em>&#8220;<\/li>\n<li>Lindsey Jones, &#8220;Lexical Dichtomy and Ethics in\u00a0<em>Macbeth<\/em>&#8220;<\/li>\n<li>Joseph Sullivan, &#8220;Don&#8217;t stop believing in an ending, unless you want to:\u00a0<em>Measure for Measure<\/em> and\u00a0<em>The Sopranos<\/em>&#8220;<\/li>\n<\/ul>\n<h3><span style=\"color: #000000\">10:30 &#8211; 11:45<\/span><\/h3>\n<h4><span style=\"color: #000000\">Purposeful Ambiguities &#8211; Snyder Hall C201 &#8211; Chair, Andrew Kranzman<\/span><\/h4>\n<ul>\n<li>Emily Detmer-Goebel, &#8220;&#8216;Yet let Mother&#8217;s Doubt&#8217;: The limits of love in\u00a0<em>Richard III&#8221;<\/em><\/li>\n<li>Ken Hanssen, &#8220;&#8216;A garment nobler than it covers&#8217;: Ethical Ambiguity in Shakespeare&#8217;s\u00a0<em>Cymbeline<\/em>&#8220;<\/li>\n<\/ul>\n<h4><span style=\"color: #000000\">Rood Awakening &#8211; Snyder Hall C202 &#8211; Chair, Joseph Sullivan<\/span><\/h4>\n<ul>\n<li>Russell Bodi, &#8220;Power Inequities and Forced Conversation&#8221;<\/li>\n<li>Hyosik Hwang, &#8220;The Protestant Ethic and Othello&#8217;s Double Damnation&#8221;<\/li>\n<li>Amber True, &#8220;Luther&#8217;s Good Christians in The New of Malta&#8221;<\/li>\n<\/ul>\n<h4><span style=\"color: #000000\">Body Langauge &#8211; Snyder Hall C203 &#8211; Chair, Sandra Logan<\/span><\/h4>\n<ul>\n<li>Geoffrey Johns, &#8220;Crooked Manners, Crooked Shapes:\u00a0<em>Richard III<\/em> and the Birth Metaphor&#8221;<\/li>\n<li>Colleen Kennedy, &#8220;The Nasal Ethics of Thomas Dekker&#8217;s\u00a0<em>The Wonderfull Yeare<\/em>&#8220;<\/li>\n<li>Brandon Polite, &#8220;Tortured Calculations: Body Economies in Shakespeare&#8217;s Culture of Honor&#8221;<\/li>\n<\/ul>\n<h3><span style=\"color: #000000\">11:45 &#8211; 1:45<\/span><\/h3>\n<h4><span style=\"color: #000000\">Annual Luncheon and Smith Prize Awards &#8211; Snider Dining Hall<\/span><\/h4>\n<h3><span style=\"color: #000000\">2:00 &#8211; 3:30<\/span><\/h3>\n<h4><span style=\"color: #000000\">Keynote &#8211; Snyder C20<\/span><\/h4>\n<ul>\n<li>Emily Bartels, &#8220;Shakespeare&#8217;s &#8216;General Good'&#8221;<\/li>\n<\/ul>\n<h4><span style=\"color: #000000\">Closing Remarks<\/span><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>Thursday, November 3 2:45 &#8211; 4:00 Dilemmas of Despotism &#8211; Snyder Hall C203 &#8211; Chair, Robert Pierce Byron Bailey, &#8220;Blood and Sword and Fire: Machiavelli, Erasmus, and Henry V&#8216;s Ethical Battleground&#8221; 4:15 &#8211; 5:30 Evolving Choices, Devolving Destinies &#8211; Snyder &hellip; <a href=\"https:\/\/blogs.uakron.edu\/ovsconf\/conferences\/2011-shakespeare-and-ethics\/2011-program\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1386,"featured_media":0,"parent":201,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-334","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.uakron.edu\/ovsconf\/wp-json\/wp\/v2\/pages\/334","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.uakron.edu\/ovsconf\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.uakron.edu\/ovsconf\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.uakron.edu\/ovsconf\/wp-json\/wp\/v2\/users\/1386"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.uakron.edu\/ovsconf\/wp-json\/wp\/v2\/comments?post=334"}],"version-history":[{"count":8,"href":"https:\/\/blogs.uakron.edu\/ovsconf\/wp-json\/wp\/v2\/pages\/334\/revisions"}],"predecessor-version":[{"id":574,"href":"https:\/\/blogs.uakron.edu\/ovsconf\/wp-json\/wp\/v2\/pages\/334\/revisions\/574"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.uakron.edu\/ovsconf\/wp-json\/wp\/v2\/pages\/201"}],"wp:attachment":[{"href":"https:\/\/blogs.uakron.edu\/ovsconf\/wp-json\/wp\/v2\/media?parent=334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}