{"id":7783,"date":"2020-10-28T17:15:26","date_gmt":"2020-10-28T17:15:26","guid":{"rendered":"https:\/\/cpip.gmu.edu\/?p=7783"},"modified":"2026-02-03T20:19:26","modified_gmt":"2026-02-03T20:19:26","slug":"house-judiciary-committee-hearing-reacts-to-copyright-office-report-on-efficacy-of-section-512","status":"publish","type":"post","link":"https:\/\/blogs.uakron.edu\/ualawip\/2020\/10\/28\/house-judiciary-committee-hearing-reacts-to-copyright-office-report-on-efficacy-of-section-512\/","title":{"rendered":"[Archived Post] House Judiciary Committee Hearing Reacts to Copyright Office Report on Efficacy of Section 512"},"content":{"rendered":"<p><strong><em>The following post comes from Liz Velander, a recent graduate of Scalia Law and a Research Assistant at CPIP.<\/em><\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-7330 size-full\" src=\"https:\/\/cip2.gmu.edu\/wp-content\/uploads\/sites\/31\/2019\/03\/capitol_200x200.png\" alt=\"U.S. Capitol building\" width=\"200\" height=\"200\" srcset=\"https:\/\/blogs.uakron.edu\/ualawip\/wp-content\/uploads\/sites\/1670\/2019\/03\/capitol_200x200.png 200w, https:\/\/blogs.uakron.edu\/ualawip\/wp-content\/uploads\/sites\/1670\/2019\/03\/capitol_200x200.png?resize=150,150 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><strong><em>By Liz Velander<\/em><\/strong><\/p>\n<p>In late September, the House Judiciary Committee held a hearing entitled <em><a href=\"https:\/\/judiciary.house.gov\/calendar\/eventsingle.aspx?EventID=3370\" target=\"_blank\" rel=\"noopener noreferrer\">Copyright and the Internet in 2020: Reactions to the Copyright Office\u2019s Report on the Efficacy of 17 U.S.C. 512 After Two Decades<\/a><\/em>. As Chairman Jerrold Nadler (D-NY) explained, the hearing sought \u201cperspectives on whether Section 512 is working efficiently and effectively for this new internet landscape.\u201d The hearing was guided by the U.S. Copyright Office\u2019s <a href=\"https:\/\/www.copyright.gov\/policy\/section512\/section-512-full-report.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Section 512 Report<\/a>, released in May, which concluded that the operation of the Section 512 safe harbor system disfavors copyright owners\u2014contrary to \u201cCongress\u2019 original intended balance.\u201d<\/p>\n<p>The witnesses included: Jeffrey Sedlik, President &amp; CEO, PLUS Coalition; Meredith Rose, Senior Policy Counsel, Public Knowledge; Morgan Grace Kibby, Singer and Songwriter; Jonathan Band, Counsel, Library Copyright Alliance; Matthew Schruers, President, Computer &amp; Communications Industry Association; and Terrica Carrington, Vice President, Legal Policy and Copyright Counsel, Copyright Alliance.<\/p>\n<p>Enacted in 1998 as part of the Digital Millennium Copyright Act (DMCA), <a href=\"https:\/\/www.law.cornell.edu\/uscode\/text\/17\/512\" target=\"_blank\" rel=\"noopener noreferrer\">Section 512<\/a> establishes a system for copyright owners and online service providers (OSPs) to address online infringement, including a \u201csafe harbor\u201d that limits liability for compliant OSPs. To qualify for safe harbor protection, an OSP must fulfill certain requirements, generally consisting of implementing measures to expeditiously address online copyright infringement. Congress sought to create a balance between two goals in enacting Section 512: (1) providing important legal certainty for OSPs so that the internet ecosystem can flourish without the threat of the potentially devastating economic impact of liability for copyright infringement as a result of user activity, and (2) protecting the legitimate interests of authors and other rights owners against the threat of rampant, low-barrier online infringement.<\/p>\n<p>The Copyright Office\u2019s Report determined that the balance Congress originally sought is now \u201caskew.\u201d It found that \u201cdespite the advances in legitimate content options and delivery systems, and despite the millions of takedown notices submitted on a daily basis, the scale of online copyright infringement and the lack of effectiveness of Section 512 notices to address that situation, remain significant problems.\u201d The Report did not recommend any wholesale changes to Section 512, but instead identified certain areas that Congress could fine-tune in order to better balance the rights and responsibilities of OSPs and copyright owners. These include eligibility qualifications for the service provider safe harbors, repeat infringer policies, knowledge requirement standards, specificity within takedown notices, non-standard notice requirements, subpoenas, and injunctions.<\/p>\n<p>At the hearing, the six witnesses reacted to the Copyright Office\u2019s Report in dramatically different fashions. Representatives of OSPs disagreed with the Report\u2019s conclusions, testifying that Section 512 is working as Congress intended. Mr. Band from the Library Copyright Alliance referred to Section 512 as a \u201cshining example of enlightened legislation for the public good\u201d that is responsible for the \u201cgolden age of content creation and distribution.\u201d Mr. Schruers from the Computer &amp; Communications Industry Association criticized the Report for inadequately reflecting the interests of users and \u201cconspicuously\u201d overlooking the problem of Section 512 misuse. Ms. Rose from Public Knowledge stated \u201cthe Office\u2019s analysis performed a familiar sleight-of-hand by presenting user interests as coextensive with those of platforms, effectively erasing free speech concerns from its analysis.\u201d<\/p>\n<p>Representatives of content creators painted an entirely different picture of Section 512\u2019s efficacy. They applauded the Copyright Office for calling attention to areas of imbalance related to Section 512 and to how overly expansive or narrow interpretations of the statute have aided in skewing the balance Congress intended. Mr. Sedlik, a photographer with over 35 years of professional experience and President &amp; CEO of the PLUS Coalition, described how service providers take advantage of his and others\u2019 copyrighted works while hiding behind Section 512\u2019s safe harbors. He explained that, like many other copyright owners, he must spend an exorbitant amount of time searching for infringing materials online and sending takedown notices instead of creating new works.<\/p>\n<p>Ms. Kibby, a singer and songwriter, testified that Section 512 is \u201cundermining creativity, and more alarmingly, quietly undercutting our next generation of artists. It is jeopardizing livelihoods for working class musicians, obliterating healthy monetary velocity in our creative community. It is rewarding unscrupulous services that deal in the unauthorized trade and use of our works. It is fundamentally sabotaging the legitimate online marketplace that we all rely on and that Congress envisioned.\u201d Responding to the argument that notice-and-takedown results in censorship of user-generated content, Ms. Kibby said that Section 512&#8217;s \u201cstripping creators of their fundamental rights, their livelihood, and ultimately their creative contributions is the real censorship.\u201d<\/p>\n<p>Ms. Carrington from the Copyright Alliance identified three main problems with Section 512: (1) the ineffective notice-and-takedown process, (2) the effective elimination of the red flag knowledge standard, and (3) ineffective repeat infringer policies. She recommended adjusting the statute to clarify the difference between actual and red flag knowledge, enacting the Copyright Alternative in Small-Claims Enforcement (CASE) Act, and transparently developing effective standard technical measures (STMs).<\/p>\n<p>Members of the Committee recognized the need for reform. Chairman Nadler remarked that the sheer volume of takedown notices being sent does not seem like the hallmark of a system functioning as intended. Some Members first spoke about the importance of copyright law before questioning the panelists. For example, Representative Hank Johnson (D-GA) said \u201cit\u2019s crucial that these creators are able to rely on copyright law protections to make their living. This is even more true in an age where the click of a button can plagiarize a lifetime of work.\u201d<\/p>\n<p>It was heartening to hear the Representatives\u2019 positive response to the concerns of small, individual creators whose livelihoods depend on the commercial viability of their works. It was clear that the Committee is seriously considering the recommendations in the Copyright Office Report and looking for a way to rebalance Section 512 so that it respects what Congress originally intended\u2014a system that respects the rights of authors and artists who face widespread infringement of their rights in the online environment.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The following post comes from Liz Velander, a recent graduate of Scalia Law and a Research Assistant at CPIP. By Liz Velander In late September, the House Judiciary Committee held a hearing entitled Copyright and the Internet in 2020: Reactions to the Copyright Office\u2019s Report on the Efficacy of 17 U.S.C. 512 After Two Decades. 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