{"id":6325,"date":"2024-06-24T16:29:22","date_gmt":"2024-06-24T20:29:22","guid":{"rendered":"https:\/\/blogs.uakron.edu\/uapress\/?post_type=product&p=6325"},"modified":"2025-05-01T12:18:12","modified_gmt":"2025-05-01T16:18:12","slug":"artists-on-creative-administration","status":"publish","type":"product","link":"https:\/\/blogs.uakron.edu\/uapress\/product\/artists-on-creative-administration\/","title":{"rendered":"Artists on Creative Administration"},"content":{"rendered":"
READ A SAMPLE<\/a><\/div>\n

Brilliant artists share stories on artistic life and business, full of lessons we can all learn about living a creative life. Featuring the voices of thirty artists and arts workers, <\/span>Artists on Creative Administration: A Workbook from the National Center for Choreography <\/span><\/i>provides first-hand accounts of creative administration in action. The book pairs big topics with actionable tactics, addressing themes like equity, activism, design thinking, leadership, collaboration, family, ethics, and care. Provocative, candid essays and interviews expand our view of what creativity and leadership can be, as each chapter closes with experiments for the reader to try and adapt to their own thinking, work, and life.<\/span>\u00a0<\/span><\/p>\n

Artists on Creative Administration<\/span><\/i> emerged from the National Center for Choreography-Akron\u2019s acclaimed Creative Administration Research program. As editor, Tonya Lockyer shares: \u201cThis book is for anyone looking for paths forward; for anyone who believes we are in an exceptional moment of change\u2014change is happening and needs to happen.\u201d<\/span>\u00a0<\/span><\/p>\n

About the editor<\/h2>\n

Tonya Lockyer, widely praised as \u201ca key cultural changemaker\u201d (<\/span>Seattle Times<\/span><\/i>), is an award-winning artist and cultural strategist. Her work as a groundbreaking artist, arts leader, and curator has been recognized by the National Endowment for the Arts, Arts International, Princeton University, NPR, the Canada Council, and the City of Seattle. Lockyer was the transformative director of Seattle\u2019s Velocity Dance Center (2011\u20132018), and she has collaborated with some of the most innovative artistic experimentalists of our time. She is an adjunct professor in Arts Leadership (MFA\/BA) at<\/span>\u00a0<\/span>Seattle University.<\/span>\u00a0<\/span><\/p>\n

Contributors<\/h2>\n

Contributors to this volume are: Nora Alami, Julia Antonick, Christy Bolingbroke, Banning Boulding, Yanira Castro, Maura Cuffie-Peterson, Katy Dammers, Raja Feather Kelly, Michelle Fletcher, Chelsea Goding-Doty, Miguel Gutierrez, Rosie Herrera, Cherie Hill, Delphine Lai, Tonya Lockyer, Makini, Aaron Mattocks, Jonathan Meyer, Rashaun Mitchell, Hope Mohr, Dominic Moore-Dunson, Cynthia Oliver, Karla Quintero, Antonio Ramos, Silas Riener, amara tabor-smith, Kate Wallich, Marya Whethers, Pioneer Winter, and Miranda Wright.\u00a0\u00a0<\/span><\/span><\/span><\/span><\/p>\n

Praise for Artists on Creative Administration<\/em><\/h2>\n

The voices that give this book life are brimming with tactical wisdom, but the strategic inquiries humming below the surface offer the reader an even more profound pathway to an equitable future. These voices ask fundamental questions about our economy, health care systems, and historical pathologies that wonder out loud why creativity itself isn’t more deeply inscribed in our concept of ‘infrastructure.’ How different would we ALL be if we adapted an artist’s sense of possibility into our moral infrastructure as well as our production modalities? This collection gives us a sense of what to do on our journey to a creative horizon, but profoundly, read against the grain, this book gives us a sense of WHY an artist’s sense of interdependence and ecology are what the world urgently needs to explore.<\/span>\u00a0<\/span><\/p>\n

\u2014Marc Bamuthi Joseph, artist, cultural strategist, Vice President and Artistic Director of Social Impact at The Kennedy Center<\/span><\/b>\u00a0<\/span><\/p>\n

This impressive anthology developed and edited by Tonya Lockyer draws on dance\u2019s embodied understanding of dynamic systems to critique traditional approaches to arts administration, and creatively reconceive it as a co-creative practice that assures the sustainability of a life in the arts. At once visionary and pragmatic, the book offers ideas and tools to develop close relationships with communities, develop models of shared leadership, seek new methods of funding, and provide honest insider perspectives on living as a contemporary dance artist. With twenty-nine contributors, it is an inspiri<\/span>ng read for those who aim to deepen their own creative administration practices.<\/p>\n

\u2014Naomi Jackson, PhD, author of Dance, Human Rights, and Social Justice<\/em>, Professor, Arizona State University <\/span><\/b>\u00a0<\/span><\/p>\n

This is a groundbreaking book\u2014significant and highly relevant beyond the arts. The case studies, tools, and experiments are useful for anyone interested in team building, audience development, galvanizing support across multiple constituents, storytelling, user experience, marketing, community-building, and placemaking. It\u2019s also a pleasure to read.<\/span>\u00a0<\/span><\/p>\n

\u2014Jennifer Edwards, MFA, Creative Strategist | Human Systems Choreographer | Director \/ Producer<\/span><\/b>\u00a0<\/span><\/p>\n

\u00a0<\/span>This straight-talking book is timely and will become a well-worn handbook equally useful for art producers, administrators, artists, students and teachers. Full of resources for immediate practice or further research, the book is structured so you can read the essays in any sequence as your curiosity or needs dictate. <\/span>Artists on Creative Administration<\/span><\/i> asks us to consider all that surrounds a work of art as an inseparable part of the creative act. It inspires action that could forge new, unusually generative and supportive collaborations, communities and systems.<\/span>\u00a0<\/span><\/p>\n

\u2014Susan Marshall, Choreographer, and Director of Dance at Princeton University\u2019s Lewis Center for the Arts<\/span><\/b>\u00a0<\/span><\/p>\n

\u00a0<\/span>Not being a dancer or arts administrator, I didn\u2019t know what to expect when opening this book. I left with a much deeper appreciation for what dancers, choreographers, producers, managers, and dance-focused nonprofit directors endure to make our world better through dance. This is a wonderful collection of essays that are in turn provocative, illuminating, moving, and occasionally hilarious. It is a timely work that delves into the power and importance of dance and art, while challenging existing beliefs and practices and providing thoughtful solutions.<\/span><\/p>\n

\u2014Vu Le, NonprofitAF.com<\/span><\/b>\u00a0<\/span><\/p>\n

\u00a0<\/span>It\u2019s a joy and a challenge to see all the life stories and iterative work practices that form the contents of Tonya Lockyer\u2019s robust, smart volume of essays from the overlapping fields of art and management. The joy is in seeing the aggregation of so much knowledge from the dance world in one place. The challenge is in paying attention to the ethics, problem-solving, and radical shifts that are embedded on every page. It is thrilling to see the ideas that so many have been working on for so long brought to light and to a wider audience.<\/span>\u00a0<\/span><\/p>\n

\u2014Liz Lerman, MacArthur “Genius Grant” Fellow, and Institute Professor, Herberger Institute for Design and the Arts<\/span><\/b>\u00a0<\/span><\/p>\n

\u00a0<\/span>Tonya Lockyer and colleagues have crafted a terrific new playbook for the times and challenges of today! Artists on Creative Administration is more than a book; it’s a beacon for those ready to reimagine, be inspired, challenge the status quo, and co-create a world where everyone can thrive. It’s a testament to the power of innovative thinking and the crucial role the arts and artists play in shaping a better, more meaningful, and creative world.<\/span><\/p>\n

\u2014Tim Cynova, Principal, Work Shouldn’t Suck<\/span><\/b>\u00a0<\/span><\/p>\n

Reading this book will make you understand why the arts are always at the vanguard of social movements. <\/span>Artists on Creative Administration<\/span><\/i> speaks to, and is of, the contemporary moment, encapsulating the ongoing and ever-present critical challenge experimental artists face in artmaking, community building, and importantly, in reimagining the structures of arts administration. It\u2019s inspiring how this collection of stories, strategies, and experiences emanates from the lives and voices of groundbreaking artists driven to change the landscape of arts-making, decision-making, and arts administration\u2014from the ground up.\u00a0<\/span>\u00a0<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

Artists on Creative Administration<\/span><\/i> nurtures images of what decolonization might look like\u2014by imagining and implementing economic and organizational structures that mirror the social structures of indigenous communities with collective identities\u2014where the community, and communal sustenance, come first. In <\/span>AOCA<\/span><\/i>, we see how decisions and ideas can surface from a diverse team of stakeholders, whose programs and projects embrace their specific localities, in a spirit of shared values leading to shared joy.<\/span>\u00a0<\/span><\/p>\n

\u2014george emilio sanchez, writer, performance artist, advocate for indigenous rights and sovereignty, Performance Director Emergency, Professor College of Staten Island\/CUNY<\/span><\/b>\u00a0<\/span><\/p>\n

Media<\/h2>\n

“An illuminating and constructive workbook for anyone involved or interested in creative administration.” \u2014Kirkus Reviews<\/a><\/p>\n

“Artists on Creative Administration\u00a0<\/em>is a split bill performance at its best. The writers\u2019 individual voices remain clear in the midst of the collective and the chapters create a cohesive whole while functioning episodically. Humor, joy, hope, tough truths, and pragmatism each take center stage.” \u2014Jennifer Passios, “Stories From the Middle”<\/a><\/p>\n

“Artists on Creative Administration: A Workbook from the National Center for Choreography is a significant contribution to the field of arts administration and a nuanced must-read for anyone who struggles with the amount of administrative work that comes with making dance, whether they are new to the field or more seasoned, and for those who want their values to be reflected in the work that happens on stage and behind the scenes.” \u2014Ellen Chenoweth, Dance Chronicle<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

A Workbook from the National Center for Choreography<\/span><\/h1>\n

Tonya Lockyer, editor<\/span><\/p>\n

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Size: 6 x 9<\/span><\/p>\n

Foreword by Christy Bolingbroke\u00a0<\/em><\/p>\n<\/div>\n","protected":false},"featured_media":6326,"template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"product_brand":[],"product_cat":[98423,80523],"product_tag":[98494,98504,98499,98502,98501,98498,98500,98493,7228,98497,177,98495,98496],"class_list":{"0":"post-6325","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-nccakron-series-in-dance","7":"product_cat-recent-releases","8":"product_tag-artist","9":"product_tag-artists","10":"product_tag-arts-and-culture","11":"product_tag-arts-funding","12":"product_tag-audience-development","13":"product_tag-choreography","14":"product_tag-community-development","15":"product_tag-creative-administration","16":"product_tag-dance","17":"product_tag-entrepreneurship","18":"product_tag-leadership","19":"product_tag-organizational-change","20":"product_tag-performing-arts","22":"first","23":"instock","24":"shipping-taxable","25":"product-type-simple"},"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.uakron.edu\/uapress\/wp-json\/wp\/v2\/product\/6325","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.uakron.edu\/uapress\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/blogs.uakron.edu\/uapress\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.uakron.edu\/uapress\/wp-json\/wp\/v2\/media\/6326"}],"wp:attachment":[{"href":"https:\/\/blogs.uakron.edu\/uapress\/wp-json\/wp\/v2\/media?parent=6325"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/blogs.uakron.edu\/uapress\/wp-json\/wp\/v2\/product_brand?post=6325"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/blogs.uakron.edu\/uapress\/wp-json\/wp\/v2\/product_cat?post=6325"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/blogs.uakron.edu\/uapress\/wp-json\/wp\/v2\/product_tag?post=6325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}