Categories
Copyright Internet Uncategorized

One Step Closer to Mega Justice: Kim Dotcom Loses Extradition Hearing

Cross-posted from the Law Theories blog.

The news broke last night that Kim Dotcom has suffered a major setback in his bid to avoid standing trial in the Eastern District of Virginia on multiple felony charges relating to his Megaupload website. District Judge N.R. Dawson of the Auckland District Court in New Zealand dropped his 271-page bombshell opinion, holding that Kim Dotcom and his three co-defendants are eligible to be extradited to the United States. It’s been nearly four years since Dotcom was arrested in a dramatic raid by the New Zealand Police in early 2012, and this decision means that the victims of the so-called “Mega Conspiracy” are finally one step closer to justice.

Judge Dawson’s opinion is a remarkable read. He spends much of the opinion (pp. 16–172) going over a “selection” of the evidence and its inferences as proffered by the United States. For people claiming that there is no evidence that Dotcom did anything wrong, this should be required reading. The number of smoking-gun emails and Skype conversations is staggering. Luckily for the victims, the members of the Mega Conspiracy were not very good at covering their tracks.

There’s no doubt that Dotcom and his international team of lawyers have done a good job of stalling the proceedings. I’m sure most criminal defendants would love to receive even half as much legal representation as Dotcom has been able to procure. But at the end of the day, Judge Dawson is completely unimpressed with all of the irrelevant things that Dotcom argued. From the get-go, Dotcom tried to turn this extradition hearing into a trial on the merits under U.S. law—incredibly ironic, given that such a trial is the last thing Dotcom really wants. Judge Dawson thoroughly casts aside Dotcom’s extraneous nonsense and gets right to the heart of the matter.

As a preliminary matter, Judge Dawson rejects all three of Dotcom’s applications to stay the proceedings. The legal issues to be decided under New Zealand’s Extradition Act 1999, he says, are simple:

The Court must be satisfied, [1] that the appropriate supporting documentation has been produced, [2] that the offence is an extradition offence in relation to the extradition country and [3] that there is sufficient evidence relating to the offending that would justify the person’s trial if the conduct constituting the offence had occurred in New Zealand.

Note that Dotcom’s guilt under U.S. law is not something Judge Dawson decides—and rightfully so. That’s a matter for District Judge Liam O’Grady to oversee once Dotcom stands trial in the Eastern District of Virginia. Judge Dawson notes that Dotcom is “entitled to challenge the correctness of the evidence,” but that “any challenge to the evidence must be more than simply an alternative explanation.” And this is a big problem for Dotcom: All of his denials and handwavings are simply alternative explanations, and they don’t undermine the reliability of the evidence. The question, as Judge Dawson sees it, is whether the evidence would support a trial under New Zealand law. U.S. law, he holds, is irrelevant.

Dotcom claimed that he couldn’t conduct a proper defense because he couldn’t hire the experts he wanted to rebut the U.S. government’s read of the applicable law, but Judge Dawson would have none of it: “It is not within the jurisdiction of this Court to rule upon competing views of USA law. That is a matter for trial in the US court.” Furthermore, the fact that Dotcom could offer alternative explanations for the evidence just didn’t matter: “It is not the role of this court to weigh the merits of the applicant’s case against the possible alternative explanations that might be provided by the respondents.”

In one of my favorite passages, Judge Dawson mentions Dotcom’s claim that he’s being railroaded and that “public confidence in the integrity of the criminal justice system would be undermined if a stay was not granted.” Judge Dawson returns fire by pointing out that Dotcom has enjoyed “full access to the New Zealand legal system” and that granting the stay “with total disregard for the law,” as Dotcom would have it, “is more likely to undermine public confidence in the criminal justice system[.]” Touché!

It’s not until page 221 that Judge Dawson finally turns to the merits of whether Dotcom is eligible to be surrendered to the United States. That analysis, under Section 24, has two steps: (1) whether the alleged offense is an “extradition offence,” and (2) whether a prima facie case been established. Judge Dawson runs through this two-step test for all thirteen counts: conspiracy to commit racketeering, conspiracy to commit criminal copyright infringement, conspiracy to commit money laundering, five counts of criminal copyright infringement, and five counts of fraud by wire. Referencing the 150-plus pages of evidence he laid out earlier in the opinion, Judge Dawson holds that a prima facie case for each of the counts has been established for each of the defendants.

This is a far cry from the affidavit submitted by Harvard’s Larry Lessig, who claimed that there was no prima facie case against any of the defendants on any of the counts.

One issue worth mentioning is Dotcom’s claim that he would be eligible for the DMCA safe harbors in the United States. Judge Dawson has nothing to say about this, as he doesn’t think U.S. law is relevant to this hearing. But he does have this to say about Dotcom’s eligibility for the safe harbors under Section 92B of New Zealand’s Copyright Act:

The purpose and intent of s 92B is to provide a “safe harbour” for ISPs that unintentionally have their storage used by others to store illegitimate materials, a true “dumb pipe”. . . . Protection under s 92B is not available on the evidence adduced at this hearing. There is evidence before the Court sufficient to establish that the respondents were in the course of a business that knowingly uploaded copies of copyright protected material, they kept it with a view to committing acts that would infringe the copyright, they were complicit in promulgating that they possessed such material, and distributed it to large numbers of people for their own financial gain.

In other words, Dotcom would get no safe harbors under New Zealand’s version of the DMCA.

Lastly, Judge Dawson entertains Dotcom’s entertaining claim that a special exception should be made just for him because he is the victim of a politically-motivated prosecution orchestrated by “US movie studios executives” and “the Vice President of the United States of America, Mr Joe Biden.” (Seriously, he argued this.) Judge Dawson easily brushes this off:

That Mr Dotcom has a different point of view about the use of the internet from others including the US movie studios does not have the hallmarks of what is ordinarily regarded as political persecution for political beliefs. It is a difference of opinion about a business matter, the use of the internet and the application of copyright law.

No dice.

In the end, Judge Dawson notes that “it is not possible to issue decisions that would be less than encyclopaedic in length in order to cover every minor point alluded to in the hearing.” Regardless, he finds that “[t]here is no need to do this” since none of Dotcom’s arguments “come near to undermining the applicant’s case[.]” As such, Judge Dawson concludes that “[t]he overwhelming preponderance of evidence . . . establishes a prima facie case to answer for all respondents on each of the counts” and that “the respondents are all eligible for surrender on all thirteen counts in the superseding indictment.”

Dotcom will appeal, naturally, and his Twitter feed indicates that he feels good about his chances. I honestly can’t fathom why. It seems to me that his only success so far has been in delaying the inevitable, but that inevitably he’ll have to do the one thing that he doesn’t really want to do—defend his case on the merits under U.S. law when it really counts.

Categories
Copyright Internet Uncategorized

BMG v. Cox: ISP Liability and the Power of Inference

Cross-posted from the Law Theories blog.

As readers are likely aware, the jury verdict in BMG v. Cox was handed down on December 17th. The jury found that BMG had proved by a preponderance of the evidence that Cox’s users were direct infringers and that Cox is contributorily liable for that infringement. The interesting thing, to me at least, about these findings is that they were both proved by circumstantial evidence. That is, the jury inferred that Cox’s users were direct infringers and that Cox had the requisite knowledge to make it a contributory infringer. Despite all the headlines about smoking-gun emails from Cox’s abuse team, the case really came down a matter of inference.

Direct Infringement of the Public Distribution Right

Section 106(3) grants copyright owners the exclusive right “to distribute copies . . . of the copyrighted work to the public[.]” In the analog days, a copy had to first be made before it could be distributed, and this led to much of the case law focusing on the reproduction right. However, in the digital age, the public distribution usually occurs before the reproduction. In an upload-download scenario, the uploader publicly distributes the work and then the downloader makes the copy. This has brought much more attention to the contours of the public distribution right, and there are some interesting splits in the case law looking at online infringement.

Though from the analog world, there is one case that is potentially binding authority here: Hotaling v. Church of Jesus Christ of Latter-Day Saints. Handed down by the Fourth Circuit in 1997, Hotaling held that “a library distributes a published work . . . when it places an unauthorized copy of the work in its collection, includes the copy in its catalog or index system, and makes the copy available to the public.” The copies at issue in Hotaling were in microfiche form, and they could not be checked out by patrons. This meant that the plaintiff could not prove that the library actually disseminated the work to any member of the public. Guided by equitable concerns, the Fourth Circuit held that “a copyright holder would be prejudiced by a library that does not keep records of public use,” thus allowing the library to “unjustly profit by its own omission.”

Whether this aspect of Hotaling applies in the digital realm has been a point of contention, and the courts have been split on whether a violation of the public distribution right requires actual dissemination. As I’ve written about before, the Nimmer on Copyright treatise now takes the position that “[n]o consummated act of actual distribution need be demonstrated in order to implicate the copyright owner’s distribution right,” but that view has yet to be universally adopted. Regardless, even if actual dissemination is required, Hotaling can be read to stand for the proposition that it can be proved by circumstantial evidence. As one court put it, “Hotaling seems to suggest” that “evidence that a defendant made a copy of a work available to the public might, in conjunction with other circumstantial evidence, support an inference that the copy was likely transferred to a member of the public.”

The arguments made by BMG and Cox hashed out this now-familiar landscape. Cox argued that merely offering a work to the public is not enough: “Section 106(3) makes clear that Congress intended not to include unconsummated transactions.” It then distinguished Hotaling on its facts, suggesting that, unlike the plaintiff there, BMG was “in a position to gather information about alleged infringement, even if [it] chose not to.” In opposition, BMG pointed to district court cases citing Hotaling, as well as to the Nimmer treatise, for the proposition that making available is public distribution simpliciter.

As to Cox’s attempt to distinguish Hotaling on the facts, BMG argued that Cox was the one that failed “to record actual transmissions of infringing works by its subscribers over its network.” Furthermore, BMG argued that “a factfinder can infer that the works at issue were actually shared from the evidence that they were made available,” and it noted that cases Cox had relied on “permit the inference that dissemination actually took place.” In its reply brief, Cox faulted BMG for reading Hotaling so broadly, but it noticeably had nothing to say about the propriety of inferring that dissemination had actually taken place.

In his memorandum opinion issued on December 1st, District Judge Liam O’Grady sided with Cox on the making available issue and with BMG on the permissibility of inference. Reading Hotaling narrowly, Judge O’Grady held that the Fourth Circuit merely “articulated a principle that applies only in cases where it is impossible for a copyright owner to produce proof of actual distribution.” And without the making available theory on the table, “BMG must show an actual dissemination of a copyrighted work.” Nonetheless, Judge O’Grady held that the jury could infer actual dissemination based on the circumstantial evidence collected by BMG’s agent, Rightscorp:

Cox’s argument ignores the fact that BMG may establish direct infringement using circumstantial evidence that gives rise to an inference that Cox account holders or other authorized users accessed its service to directly infringe. . . . Rightscorp claims to have identified 2.5 million instances of Cox users making BMG’s copyrighted works available for download, and Rightscorp itself downloaded approximately 100,000 full copies of BMG’s works using Cox’s service. BMG has presented more than enough evidence to raise a genuine issue of material fact as to whether Cox account holders directly infringed its exclusive rights.

The jury was ultimately swayed by this circumstantial evidence, inferring that BMG had proved that it was more likely than not that Cox’s users had actually disseminated BMG’s copyrighted works. But proving direct infringement is only the first step, and BMG next had to demonstrate that Cox is contributorily liable for that infringement. As we’ll see, this too was proved by inference.

Contributory Infringement of the Public Distribution Right

While the Patent Act explicitly provides circumstances in which someone “shall be liable as a contributory infringer,” the Copyright Act’s approach is much less direct. As I’ve written about before, the entire body of judge-made law concerning secondary liability was imported into the 1976 Act via the phrase “to authorize” in Section 106. Despite missing this flimsy textual hook, the Supreme Court held in Sony that nothing precludes “the imposition of liability for copyright infringements on certain parties who have not themselves engaged in the infringing activity.” Indeed, the Court noted that “the concept of contributory infringement is merely a species of the broader problem of identifying the circumstances in which it is just to hold one individual accountable for the actions of another.”

Arguments about when it’s “just” to hold someone responsible for the infringement committed by another have kept lawyers busy for well over a century. The Second Circuit’s formulation of the contributory liability test in Gershwin has proved particularly influential over the past four decades: “[O]ne who, with knowledge of the infringing activity, induces, causes or materially contributes to the infringing conduct of another, may be held liable as a ‘contributory’ infringer.” This test has two elements: (1) knowledge, and (2) induce, cause, or materially contribute. Of course, going after the service provider, as opposed to going after the individual direct infringers, often makes sense. The Supreme Court noted this truism in Grokster:

When a widely shared service or product is used to commit infringement, it may be impossible to enforce rights in the protected work effectively against all direct infringers, the only practical alternative being to go against the distributor of the copying device for secondary liability on a theory of contributory or vicarious infringement.

And this is what BMG has done here by suing Cox instead of Cox’s users. The Supreme Court in Grokster also introduced a bit of confusion into the contributory infringement analysis. The theory at issue there was inducement—the plaintiffs argued that Grokster induced its users to infringe. Citing Gershwin, the Supreme Court stated this test: “One infringes contributorily by intentionally inducing or encouraging direct infringement[.]” Note how this is narrower than the test in Gershwin, which for the second element also permits causation or material contribution. While, on its face, this can plausibly be read to imply a narrowing of the traditional test for contributory infringement, the better read is that the Court merely mentioned the part of the test (inducement) that it was applying.

Nevertheless, Cox argued here that Grokster jettisoned a century’s worth of the material contribution flavor of contributory infringement: “While some interpret Grokster as creating a distinct inducement theory, the Court was clear: Grokster is the contributory standard.” Cox wanted the narrower inducement test to apply here because BMG would have a much harder time proving inducement over material contribution. As such, Cox focused on its lack of inducing behavior, noting that it did not take “any active steps to foster infringement.”

Despite its insistence that “Grokster supplanted the earlier Gershwin formulation,” Cox nevertheless argued that BMG’s anticipated material contribution claim “fails as a matter of law” since the knowledge element could not be proved. According to Cox, “Rightscorp’s notices do not establish Cox’s actual knowledge of any alleged infringement because notices are merely allegations of infringement[.]” Nor does the fact that it refused to receive notices from Rightscorp make it “willfully blind to copyright infringement on its network.” Cox didn’t argue that its service did not materially contribute to the infringement, and rightfully so—the material contribution element here is a no-brainer.

In opposition, BMG focused on Gershwin, declaring it to be “the controlling test for contributory infringement.” BMG noted that “Cox is unable to cite a single case adopting” its narrow “reading of Grokster, under which it would have silently overruled forty years of contributory infringement case law” applying Gershwin. (Indeed, I have yet to see a single court adopt Cox’s restrictive read of Grokster. This hasn’t stopped defendants from trying, though.) Turning to the material contribution element, BMG pointed out that “Cox does not dispute that it materially contributed to copyright infringement by its subscribers.” Again, Cox didn’t deny material contribution because it couldn’t win on this argument—the dispositive issue here is knowledge.

On the knowledge element, BMG proffered two theories. The first was that Cox is deemed “to have knowledge of infringement on its system where it knows or has reason to know of the infringing activity.” Here, BMG had sent Cox “millions of notices of infringement,” and it argued that Cox could not “avoid knowledge by blacklisting, deleting, or refusing” to accept its notices. Moreover, BMG noted that “Cox’s employees repeatedly acknowledged that they were aware of widespread infringement on Cox’s system.” BMG additionally argued that Cox was willfully blind since it “blacklisted or blocked every single notice of copyright infringement sent by Rightscorp on behalf of Plaintiffs, in an attempt to avoid specific knowledge of any infringement.”

In reply, Cox cited Sony for the rule that “a provider of a technology could not be liable for contributory infringement arising from misuse if the technology is capable of substantial noninfringing uses.” And since Cox’s service “is capable of substantial noninfringing users,” it claimed that it “cannot be liable under Sony.” Of course, as the Supreme Court clarified in Grokster, that is not the proper way to read Sony. Sony merely says that knowledge cannot be imputed because a service has some infringing uses. But BMG here is not asking for knowledge to be imputed based on the design of Cox’s service. It’s asking for knowledge to be inferred from the notices that Cox refused to receive.

Judge O’Grady made short work of Cox’s arguments. He cited Gershwin as the controlling law and rejected Cox’s argument vis-à-vis Grokster: “The Court finds no support for Cox’s reading of Grokster.” In a footnote, he brushed aside any discussion of whether Cox materially contributed to the infringement since Cox failed to raise the point in its initial memorandum. Judge O’Grady then turned to the knowledge element, stating the test as this: “The knowledge requirement is met by a showing of actual or constructive knowledge or by evidence that a defendant took deliberate actions to willfully blind itself to specific infringing activity.” In a footnote, he declined to follow the narrower rule in the Ninth Circuit from Napster that requires the plaintiff to establish “actual knowledge of specific acts of infringement.”

Thus, Judge O’Grady held that three types of knowledge were permissible to establish contributory infringement: (1) actual knowledge (“knew”), (2) constructive knowledge (“had reason to know”), or (3) willful blindness. Rejecting Cox’s theory to the contrary, he held that “DMCA-compliant notices are evidence of knowledge.” The catch here was that Cox refused to receive them, and it even ignored follow-up emails from BMG. And this is where inference came into play: Judge O’Grady held that Cox could have constructive knowledge since “a reasonable jury could conclude that Cox’s refusal to accept Rightscorp’s notices was unreasonable and that additional notice provided to Cox gave it reason to know of the allegedly infringing activity on its network.”

Turning to willful blindness, Judge O’Grady stated that it “requires more than negligence or recklessness.” Citing Global-Tech, he noted that BMG must prove that Cox “took ‘deliberate actions to avoid confirming a high probability of wrongdoing and who can almost be said to have actually known the critical facts.’” The issue here was clouded by the fact that Cox didn’t simply refuse to accept BMG’s notices from Rightscorp, but instead it offered to receive them if certain language offering settlements to Cox’s users was removed. While it would be reasonable to infer that Cox was not “deliberately avoiding knowledge of illegal activity,” Judge O’Grady held that “it is not the only inference available.” As such, he left it for the jury to decide as a question of fact which inference was better.

The jury verdict is now in, and we don’t know whether the jury found for BMG on the constructive knowledge theory or the willful blindness theory—or perhaps even both. Either way, the question boiled down to one of inference, and the jury was able to infer knowledge on Cox’s part. And this brings us back to the power of inference. Cox ended up being found liable as a contributory infringer for its users’ direct infringement of BMG’s public distribution rights, and both of these verdicts were established with nothing more than circumstantial evidence. That’s the power of inference when it comes to ISP liability.

Categories
Copyright Innovation Internet Remedies Uncategorized

Protecting Artists from Streaming Piracy Benefits Creativity and Technology

Here’s a brief excerpt of an op-ed by Devlin Hartline & Matthew Barblan that was published in The Hill:

In his recent op-ed in The Hill, Mike Montgomery argues that “[m]aking streaming copyright infringement a felony is a terrible idea” that will create “further rifts between tech and entertainment at a time when these two sectors are not only reliant upon one another, but melding.” While it’s true that the line between art and technology has become less discernable, it’s simply false that creating felony penalties for criminal streamers will put a wedge between the two. Instead, protecting artists and authors from such criminal enterprises serves to level the playing field so that honest creators and innovators can work together even more closely.

To read the rest of this op-ed, please visit The Hill.

Categories
Administrative Agency Copyright Legislation Uncategorized

Principles and Priorities to Guide Congress’s Ongoing Copyright Review

Last week, CPIP published a new white paper, Copyright Principles and Priorities to Foster a Creative Digital Marketplace, by Sandra Aistars, Mark Schultz, and myself, which draws from the testimonies and scholarly writings of CPIP Senior Scholars in order to guide Congress as it continues its comprehensive review of the Copyright Act. The white paper discusses the constitutional origins of copyright protection and offers principles and priorities for Congress to consider as it moves forward with the copyright review process.

The current copyright review began in early 2013, when Register of Copyrights Maria Pallante threw down the gauntlet in her Horace S. Manges lecture by urging Congress to create “the next great copyright act.” While noting that minor legislative tweaks certainly have their place, Register Pallante suggested that it’s time for Congress to do something far more sweeping. Since then, Congress has embarked on a comprehensive review of our copyright laws, conducting over twenty hearings since mid-2013.

CPIP Senior Scholars have been actively engaged in that hearing process. Prof. Sandra Aistars (while she was CEO of the Copyright Alliance) testified on the creative community’s contributions to innovation and suggested several principles for the review process. Prof. Mark Schultz offered testimony on the scope and subject matter of copyright, and Prof. Sean O’Connor gave testimony on the failure of the DMCA’s notice-and-takedown regime.

As we discuss in the white paper, the premise of our copyright system is that copyrights are more than just incentives to create—they’re also rewards to authors for their productive labors. The Founders understood that authors’ rights and the public good are complementary, and they knew that public interests are best served when individual interests are properly secured. That understanding has proved quite prescient, as copyright today drives many innovations that provide remarkable benefits to our economy, society, and culture.

In the white paper, we propose the following organizing principles for any further work reviewing or revising the Copyright Act:

    A. Stay True to Technology-Neutral Principles and Take the Long View
    B. Strengthen the Ability of Authors to Create and to Disseminate Works
    C. Value the Input of Creative Upstarts
    D. Ensure that Copyright Continues to Nurture Free Speech and Creative Freedom
    E. Rely on the Marketplace and Private Ordering Absent Clear Market Failures
    F. Value the Entire Body of Copyright Law

We then note that these principles in turn suggest that Congress prioritize the following areas for action:

    A. Copyright Office Modernization
    B. Registration and Recordation
    C. Mass Digitization and Orphan Works
    D. Small Claims
    E. Notice and Takedown
    F. Streaming Harmonization

The ball is still rolling with the copyright review process. The House Judiciary Committee began a listening tour this fall that kicked off in Nashville and then traveled to Silicon Valley and Los Angeles. Moreover, those who testified at the earlier hearings have been invited back to meet with Committee staff and discuss any further input they might have. And the Committee is open to “any interested party” coming in to discuss their interests.

All told, this lengthy review process places Congress in a good position to take the next step in bringing us closer to Register Pallante’s “next great copyright act.” And to that end, we hope that our white paper will help Congress keep the constitutional premise of copyright protection in mind as it chooses where we go from here.

To read the full white paper, please click here.