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BMG v. Cox: ISP Liability and the Power of Inference

Cross-posted from the Law Theories blog.

As readers are likely aware, the jury verdict in BMG v. Cox was handed down on December 17th. The jury found that BMG had proved by a preponderance of the evidence that Cox’s users were direct infringers and that Cox is contributorily liable for that infringement. The interesting thing, to me at least, about these findings is that they were both proved by circumstantial evidence. That is, the jury inferred that Cox’s users were direct infringers and that Cox had the requisite knowledge to make it a contributory infringer. Despite all the headlines about smoking-gun emails from Cox’s abuse team, the case really came down a matter of inference.

Direct Infringement of the Public Distribution Right

Section 106(3) grants copyright owners the exclusive right “to distribute copies . . . of the copyrighted work to the public[.]” In the analog days, a copy had to first be made before it could be distributed, and this led to much of the case law focusing on the reproduction right. However, in the digital age, the public distribution usually occurs before the reproduction. In an upload-download scenario, the uploader publicly distributes the work and then the downloader makes the copy. This has brought much more attention to the contours of the public distribution right, and there are some interesting splits in the case law looking at online infringement.

Though from the analog world, there is one case that is potentially binding authority here: Hotaling v. Church of Jesus Christ of Latter-Day Saints. Handed down by the Fourth Circuit in 1997, Hotaling held that “a library distributes a published work . . . when it places an unauthorized copy of the work in its collection, includes the copy in its catalog or index system, and makes the copy available to the public.” The copies at issue in Hotaling were in microfiche form, and they could not be checked out by patrons. This meant that the plaintiff could not prove that the library actually disseminated the work to any member of the public. Guided by equitable concerns, the Fourth Circuit held that “a copyright holder would be prejudiced by a library that does not keep records of public use,” thus allowing the library to “unjustly profit by its own omission.”

Whether this aspect of Hotaling applies in the digital realm has been a point of contention, and the courts have been split on whether a violation of the public distribution right requires actual dissemination. As I’ve written about before, the Nimmer on Copyright treatise now takes the position that “[n]o consummated act of actual distribution need be demonstrated in order to implicate the copyright owner’s distribution right,” but that view has yet to be universally adopted. Regardless, even if actual dissemination is required, Hotaling can be read to stand for the proposition that it can be proved by circumstantial evidence. As one court put it, “Hotaling seems to suggest” that “evidence that a defendant made a copy of a work available to the public might, in conjunction with other circumstantial evidence, support an inference that the copy was likely transferred to a member of the public.”

The arguments made by BMG and Cox hashed out this now-familiar landscape. Cox argued that merely offering a work to the public is not enough: “Section 106(3) makes clear that Congress intended not to include unconsummated transactions.” It then distinguished Hotaling on its facts, suggesting that, unlike the plaintiff there, BMG was “in a position to gather information about alleged infringement, even if [it] chose not to.” In opposition, BMG pointed to district court cases citing Hotaling, as well as to the Nimmer treatise, for the proposition that making available is public distribution simpliciter.

As to Cox’s attempt to distinguish Hotaling on the facts, BMG argued that Cox was the one that failed “to record actual transmissions of infringing works by its subscribers over its network.” Furthermore, BMG argued that “a factfinder can infer that the works at issue were actually shared from the evidence that they were made available,” and it noted that cases Cox had relied on “permit the inference that dissemination actually took place.” In its reply brief, Cox faulted BMG for reading Hotaling so broadly, but it noticeably had nothing to say about the propriety of inferring that dissemination had actually taken place.

In his memorandum opinion issued on December 1st, District Judge Liam O’Grady sided with Cox on the making available issue and with BMG on the permissibility of inference. Reading Hotaling narrowly, Judge O’Grady held that the Fourth Circuit merely “articulated a principle that applies only in cases where it is impossible for a copyright owner to produce proof of actual distribution.” And without the making available theory on the table, “BMG must show an actual dissemination of a copyrighted work.” Nonetheless, Judge O’Grady held that the jury could infer actual dissemination based on the circumstantial evidence collected by BMG’s agent, Rightscorp:

Cox’s argument ignores the fact that BMG may establish direct infringement using circumstantial evidence that gives rise to an inference that Cox account holders or other authorized users accessed its service to directly infringe. . . . Rightscorp claims to have identified 2.5 million instances of Cox users making BMG’s copyrighted works available for download, and Rightscorp itself downloaded approximately 100,000 full copies of BMG’s works using Cox’s service. BMG has presented more than enough evidence to raise a genuine issue of material fact as to whether Cox account holders directly infringed its exclusive rights.

The jury was ultimately swayed by this circumstantial evidence, inferring that BMG had proved that it was more likely than not that Cox’s users had actually disseminated BMG’s copyrighted works. But proving direct infringement is only the first step, and BMG next had to demonstrate that Cox is contributorily liable for that infringement. As we’ll see, this too was proved by inference.

Contributory Infringement of the Public Distribution Right

While the Patent Act explicitly provides circumstances in which someone “shall be liable as a contributory infringer,” the Copyright Act’s approach is much less direct. As I’ve written about before, the entire body of judge-made law concerning secondary liability was imported into the 1976 Act via the phrase “to authorize” in Section 106. Despite missing this flimsy textual hook, the Supreme Court held in Sony that nothing precludes “the imposition of liability for copyright infringements on certain parties who have not themselves engaged in the infringing activity.” Indeed, the Court noted that “the concept of contributory infringement is merely a species of the broader problem of identifying the circumstances in which it is just to hold one individual accountable for the actions of another.”

Arguments about when it’s “just” to hold someone responsible for the infringement committed by another have kept lawyers busy for well over a century. The Second Circuit’s formulation of the contributory liability test in Gershwin has proved particularly influential over the past four decades: “[O]ne who, with knowledge of the infringing activity, induces, causes or materially contributes to the infringing conduct of another, may be held liable as a ‘contributory’ infringer.” This test has two elements: (1) knowledge, and (2) induce, cause, or materially contribute. Of course, going after the service provider, as opposed to going after the individual direct infringers, often makes sense. The Supreme Court noted this truism in Grokster:

When a widely shared service or product is used to commit infringement, it may be impossible to enforce rights in the protected work effectively against all direct infringers, the only practical alternative being to go against the distributor of the copying device for secondary liability on a theory of contributory or vicarious infringement.

And this is what BMG has done here by suing Cox instead of Cox’s users. The Supreme Court in Grokster also introduced a bit of confusion into the contributory infringement analysis. The theory at issue there was inducement—the plaintiffs argued that Grokster induced its users to infringe. Citing Gershwin, the Supreme Court stated this test: “One infringes contributorily by intentionally inducing or encouraging direct infringement[.]” Note how this is narrower than the test in Gershwin, which for the second element also permits causation or material contribution. While, on its face, this can plausibly be read to imply a narrowing of the traditional test for contributory infringement, the better read is that the Court merely mentioned the part of the test (inducement) that it was applying.

Nevertheless, Cox argued here that Grokster jettisoned a century’s worth of the material contribution flavor of contributory infringement: “While some interpret Grokster as creating a distinct inducement theory, the Court was clear: Grokster is the contributory standard.” Cox wanted the narrower inducement test to apply here because BMG would have a much harder time proving inducement over material contribution. As such, Cox focused on its lack of inducing behavior, noting that it did not take “any active steps to foster infringement.”

Despite its insistence that “Grokster supplanted the earlier Gershwin formulation,” Cox nevertheless argued that BMG’s anticipated material contribution claim “fails as a matter of law” since the knowledge element could not be proved. According to Cox, “Rightscorp’s notices do not establish Cox’s actual knowledge of any alleged infringement because notices are merely allegations of infringement[.]” Nor does the fact that it refused to receive notices from Rightscorp make it “willfully blind to copyright infringement on its network.” Cox didn’t argue that its service did not materially contribute to the infringement, and rightfully so—the material contribution element here is a no-brainer.

In opposition, BMG focused on Gershwin, declaring it to be “the controlling test for contributory infringement.” BMG noted that “Cox is unable to cite a single case adopting” its narrow “reading of Grokster, under which it would have silently overruled forty years of contributory infringement case law” applying Gershwin. (Indeed, I have yet to see a single court adopt Cox’s restrictive read of Grokster. This hasn’t stopped defendants from trying, though.) Turning to the material contribution element, BMG pointed out that “Cox does not dispute that it materially contributed to copyright infringement by its subscribers.” Again, Cox didn’t deny material contribution because it couldn’t win on this argument—the dispositive issue here is knowledge.

On the knowledge element, BMG proffered two theories. The first was that Cox is deemed “to have knowledge of infringement on its system where it knows or has reason to know of the infringing activity.” Here, BMG had sent Cox “millions of notices of infringement,” and it argued that Cox could not “avoid knowledge by blacklisting, deleting, or refusing” to accept its notices. Moreover, BMG noted that “Cox’s employees repeatedly acknowledged that they were aware of widespread infringement on Cox’s system.” BMG additionally argued that Cox was willfully blind since it “blacklisted or blocked every single notice of copyright infringement sent by Rightscorp on behalf of Plaintiffs, in an attempt to avoid specific knowledge of any infringement.”

In reply, Cox cited Sony for the rule that “a provider of a technology could not be liable for contributory infringement arising from misuse if the technology is capable of substantial noninfringing uses.” And since Cox’s service “is capable of substantial noninfringing users,” it claimed that it “cannot be liable under Sony.” Of course, as the Supreme Court clarified in Grokster, that is not the proper way to read Sony. Sony merely says that knowledge cannot be imputed because a service has some infringing uses. But BMG here is not asking for knowledge to be imputed based on the design of Cox’s service. It’s asking for knowledge to be inferred from the notices that Cox refused to receive.

Judge O’Grady made short work of Cox’s arguments. He cited Gershwin as the controlling law and rejected Cox’s argument vis-à-vis Grokster: “The Court finds no support for Cox’s reading of Grokster.” In a footnote, he brushed aside any discussion of whether Cox materially contributed to the infringement since Cox failed to raise the point in its initial memorandum. Judge O’Grady then turned to the knowledge element, stating the test as this: “The knowledge requirement is met by a showing of actual or constructive knowledge or by evidence that a defendant took deliberate actions to willfully blind itself to specific infringing activity.” In a footnote, he declined to follow the narrower rule in the Ninth Circuit from Napster that requires the plaintiff to establish “actual knowledge of specific acts of infringement.”

Thus, Judge O’Grady held that three types of knowledge were permissible to establish contributory infringement: (1) actual knowledge (“knew”), (2) constructive knowledge (“had reason to know”), or (3) willful blindness. Rejecting Cox’s theory to the contrary, he held that “DMCA-compliant notices are evidence of knowledge.” The catch here was that Cox refused to receive them, and it even ignored follow-up emails from BMG. And this is where inference came into play: Judge O’Grady held that Cox could have constructive knowledge since “a reasonable jury could conclude that Cox’s refusal to accept Rightscorp’s notices was unreasonable and that additional notice provided to Cox gave it reason to know of the allegedly infringing activity on its network.”

Turning to willful blindness, Judge O’Grady stated that it “requires more than negligence or recklessness.” Citing Global-Tech, he noted that BMG must prove that Cox “took ‘deliberate actions to avoid confirming a high probability of wrongdoing and who can almost be said to have actually known the critical facts.’” The issue here was clouded by the fact that Cox didn’t simply refuse to accept BMG’s notices from Rightscorp, but instead it offered to receive them if certain language offering settlements to Cox’s users was removed. While it would be reasonable to infer that Cox was not “deliberately avoiding knowledge of illegal activity,” Judge O’Grady held that “it is not the only inference available.” As such, he left it for the jury to decide as a question of fact which inference was better.

The jury verdict is now in, and we don’t know whether the jury found for BMG on the constructive knowledge theory or the willful blindness theory—or perhaps even both. Either way, the question boiled down to one of inference, and the jury was able to infer knowledge on Cox’s part. And this brings us back to the power of inference. Cox ended up being found liable as a contributory infringer for its users’ direct infringement of BMG’s public distribution rights, and both of these verdicts were established with nothing more than circumstantial evidence. That’s the power of inference when it comes to ISP liability.

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The MovieTube Litigation: Who Needs SOPA?

Cross-posted from the Law Theories blog.

On July 24th, six major studios sued MovieTube for direct and indirect copyright infringement, trademark infringement, and unfair competition in the Southern District of New York. MovieTube is alleged to have operated twenty-nine foreign-based websites that streamed, displayed, and uploaded infringing copies of the studios’ copyrighted works. Not knowing the defendants’ true identities, the studios brought suit against the “John Does, Jane Does and/or XYZ Corporations” that allegedly operated the MovieTube sites. The district court allowed the studios to serve process on the defendants via email.

The remedies being sought by the studios have raised a few feathers. MovieTube operates out of Singapore, and the studios argue that it is “essential . . . that injunctive relief include orders directed at third parties whose services enable Defendants’ activities.” Since MovieTube relies on “domain name registries and other third-party service providers and their network of affiliates to carry out their activities,” the studios are seeking an order “requiring that: (i) registries and registrars disable the domain names used to operate the MovieTube Websites and (ii) third-party service providers cease providing services to the MovieTube Websites and Defendants in relation to the Infringing Copies.”

While some have suggested that the studios “didn’t get the memo that SOPA failed,” I think the real question is, “Who needs SOPA?” Everyone knows that SOPA never became law, and the studios haven’t brought any claims under SOPA. Moreover, even if SOPA were the law, it would make no difference here. SOPA would have only provided private rightholders with statutory remedies against a “payment network provider” or an “Internet advertising service.” Only actions brought by the Attorney General would qualify for statutory remedies against service providers such as registrars, registries, and search engines.

The studios instead argue that the court’s power to issue such orders comes from:

(i) 17 U.S.C. § 502, which allows a court to “grant temporary and final injunctions on such terms as it may deem reasonable to prevent or restrain infringement of a copyright;”

(ii) 15 U.S.C § 1116(a), which provides for an injunction “according to the principles of equity and upon such terms as the court may deem reasonable, to prevent the violation of any right of the registrant of a mark registered in the Patent and Trademark Office or to prevent a violation under subsection (a), (c), or (d) of section 43 [15 U.S.C. § 1125];”

(iii) Federal Rule of Civil Procedure 65(d)(2), which imbues courts with the power to issue injunctions that bind parties, parties’ officers, agents, servants, employees, and attorneys and any “other persons who are in active concert or participation with” any such individuals or entities;

(iv) the Court’s “inherent equitable power to issue provisional remedies ancillary to its authority to provide final equitable relief,” which encompasses injunctions as broad as restraining defendants’ assets to preserve them for disgorgement of profits and equitable accounting . . . and/or

(v) the Court’s power pursuant to 28 U.S.C. § 1651 (the All Writs Act) to issue all writs necessary or appropriate in aid of its jurisdiction and agreeable to the usages and principles of law.

The question is whether the court has the power under these authorities to issue an injunction against MovieTube that binds third-party service providers. SOPA has nothing to do with it.[1]

After the studios filed suit, the MovieTube defendants shut down their operations. Nonetheless, a group of tech giants, comprised of Google, Facebook, Tumblr, Twitter, and Yahoo, filed an amicus brief arguing that “the proposed injunction violates Federal Rule of Civil Procedure 65 and the safe-harbor provisions of the DMCA.” Specifically, the amici claim that an injunction against MovieTube couldn’t bind third parties such as themselves because Rule 65(d)(2) and Section 512(j) of the DMCA wouldn’t allow it.[2] I don’t think either of these two arguments holds much water, especially for service providers like these amici that link to or host infringing material.

Blockowicz and Rule 65(d)(2)

Rule 65(d)(2) provides that only three groups may be bound by an injunction:

(2) Persons Bound. The order binds only the following who receive actual notice of it by personal service or otherwise:

(A) the parties;

(B) the parties’ officers, agents, servants, employees, and attorneys; and

(C) other persons who are in active concert or participation with anyone described in Rule 65(d)(2)(A) or (B).

The amici argue that Rule 65(d)(2) can’t bind third parties like them since it cannot be shown that they are in “active concert or participation” with the MovieTube defendants. In support, they cite the Seventh Circuit’s decision in Blockowicz v. Williams. The issue there was whether nonparty Ripoff Report was bound by an injunction against some of its users that had posted defamatory material to its site. Ripoff Report conceded “actual notice” of the injunction, but it argued that it was not in “active concert” with its defaming users.

The Seventh Circuit agreed:

Actions that aid and abet in violating the injunction must occur after the injunction is imposed for the purposes of Rule 65(d)(2)(C), and certainly after the wrongdoing that led to the injunction occurred. This requirement is apparent from Rule 65(d)(2)’s text, which requires that nonparties have “actual notice” of the injunction. A non-party who engages in conduct before an injunction is imposed cannot have “actual notice” of the injunction at the time of their relevant conduct. . . .

Further, the [plaintiffs] presented no evidence that [Ripoff Report] took any action to aid or abet the defendants in violating the injunction after it was issued, either by enforcing the Terms of Service or in any other way. . . . [Ripoff Report’s] mere inactivity is simply inadequate to render them aiders and abettors in violating the injunction.

Thus, Ripoff Report was not in “active concert” with its users by simply continuing to host the defamatory material that had been posted to its site before the injunction was issued. The amici here claim that this same logic applies to them: “[E]ven if Plaintiffs had shown that the Neutral Service Providers rendered services to the Defendants, merely continuing to provide those services cannot amount to acting in concert.’”

Blockowicz is not binding precedent here, of course, but the district court could find it persuasive. I think it’s clear that the Seventh Circuit reached the wrong conclusion. The test is whether the third party has actual notice of the injunction and then aids and abets the enjoined defendant. It’s black letter law that anyone who publishes or republishes defaming material is strictly liable for the defamation. On the other hand, a distributor is not liable as a publisher unless it knows or has reason to know that the material is defamatory.

For example, a book publisher is strictly liable for publishing a defamatory book. A bookseller that sells that defamatory book is not liable for the defamation unless it knows the material is defamatory. If it learns of the defamatory nature of the book and then continues to sell it, the bookseller is considered a publisher and is liable for the defamation along with the book publisher. In other words, the passive book distributor becomes an active aider and abettor of the book publisher once it gains knowledge of the defamation and fails to stop selling the book.

Of course, this rule from the physical world does not apply when it’s done on the internet. Section 230(c)(1) of the Communications Decency Act provides: “No provider or user of an interactive computer service shall be treated as the publisher or speaker of any information provided by another information content provider.” While the statute on its face only grants immunity to a “publisher,” courts have interpreted it broadly to apply to a “distributor” as well. As the Fourth Circuit put it in the leading case, “distributor liability. . . is merely a subset, or a species, of publisher liability, and is therefore also foreclosed by § 230.”

Section 230’s immunity for a publisher extends to a distributor with knowledge because that knowledge transforms the distributor into a publisher. The plaintiffs in Blockowicz could not go after Ripoff Report directly because Section 230 granted it immunity from civil liability. The reason it had such immunity was precisely because the knowledge of the defamation transformed it from a passive distributor to an active publisher. The plaintiffs instead went after the defamers directly, asking the court to bind Ripoff Report under Rule 65(d)(2). The Seventh Circuit’s refusal to stop Ripoff Report from aiding and abetting the enjoined defendants left the plaintiffs without a remedy—an absurd result.

Turning back to MovieTube, the amici claim that an injunction against the defendants could not bind them since they wouldn’t be aiding and abetting the defendants. This is simply not true. As with defamation, it’s black letter law that a service provider that knowingly provides material support to an infringer is contributorily liable for the infringement. In other words, the passive service provider becomes an active aider and abettor of the infringer once it gains knowledge of the underlying infringement and fails to act. This is why service providers such as the amici remove infringing material once they receive notice that they are linking to or hosting it.

When it comes to copyright infringement, the amici cannot hide behind the broad immunities of Section 230. They instead can only hope to qualify for the limitations on liability found in Section 512 of the DMCA. Of course, these safe harbors don’t protect the amici if they learn of infringing material on their systems and fail to remove it. Under Section 512(d)(1), a search engine such as Google or Yahoo does not get immunity unless it, “upon obtaining . . . knowledge or awareness” of infringing material, “acts expeditiously to remove, or disable access to, the material.”[3] The same holds true under Section 512(c)(1) for sites like Facebook, Tumblr, and Twitter that host content uploaded by their users.

When a service provider learns of infringing material on its system and fails to remove it, it becomes an aider and abettor that is jointly and severally liable with the direct infringer. But this is only true when that service provider’s contribution to the infringement is material. The DMCA codified exclusions to the safe harbors for contributions that were decidedly material, such as linking to or hosting infringing material. However, things get hazier at the margins. For example, a panel of the Ninth Circuit once split over whether a credit card processor materially contributes by servicing an infringing site. Over the vociferous dissent of Judge Alex Kozinski,[4] the two-judge majority held that it did not.

The problem for Google, Facebook, Tumblr, Twitter, and Yahoo is that there is no doubt that their failure to act once they receive notice of infringing material unquestionably constitutes aiding and abetting. Not only is it enough to find them in “active concert” with their users under Rule 65(d)(2), it’s enough to hold them contributorily liable for the infringement. They aren’t like a credit card processor, where the materiality of the contribution is in doubt. It’s well-settled that what the amici do—linking to and hosting copyrighted works—constitutes material contribution. That’s why the safe harbors under Section 512, which codified the case law, don’t apply to service providers such as them that fail to remove infringing material upon notice.


[1] I get that many people are just playing the SOPA card for rhetorical effect. But some are also arguing that SOPA would have provided rightholders with these remedies, and since SOPA is not the law, the studios therefore don’t have these remedies available. This argument is simply fallacious. With or without SOPA, the issue remains whether the court has the authority to grant the studios the requested relief.

[2] The amici do not address the existence of such authority under the Lanham Act or under the court’s inherent equitable power, and neither do I. They do argue that the All Writs Act provides no such authority, but I leave that argument aside.

[3] See also Perfect 10, Inc. v. Amazon.com, Inc., 508 F.3d 1146, 1172 (9th Cir. 2007) (“Accordingly, we hold that a computer system operator can be held contributorily liable if it has actual knowledge that specific infringing material is available using its system and can take simple measures to prevent further damage to copyrighted works yet continues to provide access to infringing works. . . . Applying our test, Google could be held contributorily liable if it had knowledge that infringing Perfect 10 images were available using its search engine, could take simple measures to prevent further damage to Perfect 10’s copyrighted works, and failed to take such steps.”) (quotations and citations omitted).

[4] See Perfect 10, Inc. v. Visa Int’l Serv. Ass’n, 494 F.3d 788, 816 (9th Cir. 2007) (Kozinski, J., dissenting) (“Defendants here are alleged to provide an essential service to infringers, a service that enables infringement on a massive scale. Defendants know about the infringements; they profit from them; they are intimately and causally involved in a vast number of infringing transactions that could not be consummated if they refused to process the payments; they have ready means to stop the infringements.”).