Skip to the content
Search
Selected Papers of the Ohio Valley Shakespeare Conference
Menu
About
Account
Issues
Current Issue
Editorial Board
From the Editor
Table of Contents
Helena and “the Rarest Argument of Wonder”:
All’s Well That Ends Well
and the Romance Genre
A Hot Mess: Knowing Juliet through Accidental Encounters in Popular Culture
Jean-François Ducis: Re-Creating Shakespeare for an Eighteenth-Century Audience
When Words Defile Things: Homoerotic Desire and Extreme Depictions of Masculinity in Shakespeare’s
Coriolanus
and Mixed Martial Arts
Extremes of Gender and Power: Sycorax’s Absence in Shakespeare’s
The Tempest
Volume IV: 2011
Editorial Board
From the Editor
Table of Contents
Time Served in Prison Shakespeare
Hamlet’s Hard-Boiled Ethics
“Much Virtue in If”: Ethics and Uncertainty in
Hamlet and
As You Like It
The Dangers of Playing House: Celia’s Subversive Role in
As You Like It
Tortured Calculations: Body Economies in Shakespeare’s Cultures of Honor
“How this World is Given to Lying!”: Orson Welles’s Deconstruction of Historiographies in
Chimes at Midnight
Lexical Dichotomy and Ethics in
Macbeth
Volume III: 2009
Editorial Board
From the Editor
Committees and Board
Table of Contents
List of Contributors
A Note to Contributors
The State(s) They’re In: Intersections of the Henriad, Hustler Narratives, and Alternative Music in Gus Van Sant’s _My Own Private Idaho_
Frustrated Feminisms: Hippolyta on Screen
Hamlet on Film: A Post-9/11 Take
Olivier’s Hamlet: A Creature Swimming
“We know what we are, but we know not what we may be:” Marianne Faithfull, Ophelia and the Power of Performance
Volume II: 2008
Editorial Board
From the Editor
Committees and Board
Table of Contents
List of Contributors
A Note to Contributors
Leisure, Idleness, and Virtuous Activity in Shakespearean Drama
Marina, Isabella, and Shakespeare’s Sex Workers
Refashioning Cordelia, Ophelia, and Juliet: The Strength of Julia Margaret Cameron’s Suffering Women
“Working My Way Back to You”: Shakespeare and Labor
Volume I: 2007
From the Editor
Editorial Board
2007-8 OVSC Committees
A Note to Contributors
List of Contributors
Table of Contents
Appropriated Shakespeare: Sensation, Politization, and De(con)struction
From Legal Document to Monolog
Sex and Sensibility: Shakespearean Actresses Rebel on the Page
“A Merry War”: Shakespeare’s Revision of Bandello
“An Improbable Fiction”: How Fans Rewrite Shakespeare
“This is a Theatre of Assault”: Amiri Baraka’s
Dutchman
and a Civil Rights
Othello
Crossing the Boundaries in Kushner and Shakespeare
The Comic Devices of Tragedy: Inter-Generic Dialogic Effects in Hardy and Shakespeare
Login
Password Reset
Profile
Register
Submissions
Conferences
Search
Register
[wpum_register login_link=”yes” psw_link=”yes”]